A Quote by Sid Sriram
'6 Weeks' is broken up into two sections; both sections use the same set of samples, just in different ways.
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You write down a paragraph or two describing several different subjects creating a kind of story ingredients-list, I suppose, and then cut the sentences into four or five-word sections; mix em up and reconnect them. You can get some pretty interesting idea combinations like this. You can use them as is or, if you have a craven need to not lose control, bounce off these ideas and write whole new sections.
If you travel around America you see different sections of highways donated by this or that person, and that's a slow beginning of what may end up being a situation common in the Third World: some sections of highways in wealthy areas are beautifully maintained and other parts are just dirt-strewn potholes.
The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.
Hostility to the Human Rights Act has been present in sections of the Conservative Party since its enactment, and this has grown more strident with the passage of time, encouraged by some sections of the press.
There are courageous and honest men enough in both sections to fight. There is no question of courage involved. The people of both sections of this Union have illustrated their courage on too many battlefields to be questioned. They have shown their fighting qualities shoulder to shoulder whenever their country has called upon them; but that they may never come in contact with each other in fratricidal war, should be the ardent wish of every true man and honest patriot.
[as for evolution]....cutting out the sections [on the subject] is preferrable if the portions are not thick enough to cause damage to the spine of the book as it is opened and closed in normal use. When the sections needing correction are too thick, paste the pages together being careful not to smear portions of the book not intended for correction.
What we need to do is get rid of 'men's' and 'women's' sections and make sections that are, like, 'dresses for tall people,' 'pants for short people,' 'jeans for people with hips,' you know what I mean?
If I produce it, I will stage it as a performance. A small audience will be invited; rehearsals of the sections will be done in the mornings, and those sections will be recorded in the afternoons.
The seven white notes on the piano - each section of the piece (there are 12 sections) is five of those seven white notes. If you calculate it, there are 21 groups of five notes in any group of seven notes. And although there are 12 sections, this piece actually uses nine of those groups because some of the sections repeat earlier ones. So that's the formula. It's very simple as a way of generating something. It's my inner minimalist.
A lasting marriage, they say, is one where the two reach for different sections of the Sunday paper. Me, I go right for the obituaries, just like those very elderly characters in Muriel Spark's spooky novel, 'Memento Mori.'
We see very, very high rates of C-sections, Cesarean sections, in India. Lots of reasons for it, high levels of malnutrition have meant that women have very small pelvic areas often, so if they have larger babies, it's very hard to deliver.
I like that the two roles are similar yet so different at the same time. Geu Rin comes from a broken family and has to pick up the broken pieces in order to move forward. There's some kind of sadness in her. Deok Sun, on the other hand, is just very cheerful. The word I would use to describe her is naive. She is young and free.
There are two different ways of looking at the universe; and it's the same universe with two different windows. The science window gives you a view of the world, and the religion window gives you a totally different view. You can't look at both of them at the same time, but they're both true.
A silk dress in four sections, and shoes with high heels that would have broken the heart of John Calvin.
I write most of my first drafts on an old manual typewriter, a really old one. It's a big black metal "Woodstock" from about 1920. I try to write everything down at once, in one sitting. The longer stories in this collection are divided up into sections. Each section represents a different sitting, a different idea for the same story.
In several sections, both natural in the banks of the Mississippi and its numerous arms, and where artificial canals had been cut, I observed erect stumps of trees, with their roots attached, buried in strata at different heights, one over the other.
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