A Quote by Sid Sriram
'Maruvarthai' was an exciting song for me because it showcased my Carnatic roots.
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My roots are Carnatic music. I think everything stems from that.
You're not going to hear me do a rap song, you're not going to hear me do a jazz song. We have to be true to our roots, do what we do, and try to do it a little better each time.
Every day somebody comes up to me and says, 'That song really helped me through a difficult time,' or 'That's me and my wife's song' or 'This song means something to me because of... ' It's humbling to hear that. You're something special in someone's life, even if it is for three minutes.
I think it's exciting because it pushes you harder to write a great song. Even for established artists, it has to be really good now because people have so many other options.
I love to do the stream-of-consciousness thing, because it's exciting for me, and I like to think it's exciting for the audience, too.
I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.
I think that the most exciting thing is to find a tool, like an art, with an opportunity to share. Real roots come from everywhere in the world. Why call is congress? Because it is a congress.
Dramas about addiction can be exciting to watch. And then dispiriting. Exciting because degradation is fascinating to follow from the relative safety and smugness of an 'appropriate' life, and dispiriting because if all that sad mayhem can happen to this or that character, what's to keep it from happening to me or you?
My first films, 'Tamizhan' and 'Whistle,' showcased me in a different light - as an urbane composer.
If a song I'm lucky enough to be a part of comes on the radio, it's definitely really cool and exciting, but I can't focus on anything but the song. Same if one of my songs comes on in a restaurant. I can't just carry on a conversation.
I have this idealistic and maybe naive thought that almost any song can be anything. If you record one song today, it would maybe be exciting and cool. But I could record the same song next week and it would be something completely different.
With my solo music, I really try to step out of the box and do stuff I don't get to do with the boys. I wanted it to be fun, rock-infused and try some new things while going back to my roots. "All American" the song is one of my favorites from the album, which is why I chose to title the album after it. To me, it's the perfect song to represent the feel of the album.
Maybe Carnatic music will become more digital, because it is an audio form. But even then, why do people flock to the December season in Madras? Because they want to see the artiste face-to-face.
I started playing bass in my friend's band for some reason. It was just something I did because, well, he asked me if I wanted to play bass and he played me this song - Nirvana's version of "Molly's Lips", the Vaselines song - and he said, "You can do this! This is not hard!" and it's like a two-note song. I learned that and then I thought I was a genius.
'Chitthi' is a song from my roots.
It takes me a lot of time, and it's almost frustrating for the guys sometimes because they're waiting for a new song. And I - it's just so important for me to get the perfect, exact, right song.
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