A Quote by Siddharth Katragadda

Here's one more from my limited experience with all 3 fields: A writer creates life; a poet creates magic from life; a philosopher tries to understand life. — © Siddharth Katragadda
Here's one more from my limited experience with all 3 fields: A writer creates life; a poet creates magic from life; a philosopher tries to understand life.
Out of the cacophony of random suffering and chaos that can mark human life, the life artist sees or creates a symphony of meaning and order. A life of wholeness does not depend on what we experience. Wholeness depends on how we experience our lives.
I mean the most important thing you can have as an actor, writer, director, or whatever you are, poet or whatever it is, is life experience. Life experience doesn't mean you have to live 50 years to have it. I mean you know a lot of people have huge life experience by the time they're in college.
Life is so much easier than you think it is, and as you come to understand the way life works, and the power you have inside you, you will experience the magic of life in its fullness.
One has to live a life that creates a writer.
The belief that a personal life exists apart from God creates experience disconnected from God. This is painful and frustrating. Our spiritual work is to break down the illusion that we have a life here and that a life of God is somewhere else.
A serious life, by definition, is a life one reflects on, a life one tries to make sense of and bear witness to. Truth in a memoir is achieved not through a recital of actual events; it is achieved when the reader comes to believe that the writer is working hard to engage with the experience at hand. What happened to the writer is not what matters; what matters is the large sense that the writer is able to make of what happened.
Man tries to make for himself in the fashion that suits him best a simplified and intelligible picture of the world; he then tries to some extent to substitute this cosmos of his for the world of experience, and thus to overcome it. This is what the painter, the poet, the speculative philosopher, and the natural scientists do, each in his own fashion. Each makes this cosmos and its construction the pivot of his emotional life, in order to find in this way peace and security which he can not find in the narrow whirlpool of personal experience.
The laws of literary creation are unique; they don't change, and they are the same for everyone everywhere. I mean that you can tell a story that covers three hours of human life or three centuries - it comes to the same thing. Each writer who creates something authentic in a natural way instinctively also creates the technique that suits him.
Transformation is my favorite game and in my experience, anger and frustration are the result of you not being authentic somewhere in your life or with someone in your life. Being fake about anything creates a block inside of you. Life can’t work for you if you don’t show up as you.
The genuine creator creates something that has a life of its own, something that can exist and function without him. This is true not only of the writer, artist and scientist, but of creators in other fields.With the noncreative it is the other way around: in whatever they do, they arrange things so that they themselves become indispensable.
Any kind of change in your life creates more material for me, because I say in my act 'It ain't comedy, it's my life.'
The dream of life is really an illusion, and everybody lives in the reality he or she creates - a virtual reality that is only true for the one who creates it.
Nature creates while destroying, and doesn't care whether it creates or destroys as long as life isn't extinguished, as long as death doesn't lose its rights.
I'm really clear about what my life mission is now. There's no more depression or lethargy, and I feel like I've returned to the athlete I once was. I'm integrating all the parts of me - jock, musician, writer, poet, philosopher - and becoming stronger as a result.
It is the poet and philosopher who provide the community of objectives in which the artist participates. Their chief preoccupation, like the artist, is the expression in concrete form of their notions of reality. Like him, they deal with the verities of time and space, life and death, and the heights of exaltation as well as the depths of despair. The preoccupation with these eternal problems creates a common ground which transcends the disparity in the means used to achieve them.
Its not possible to do the wrong thing. You do what you do and you experience the consequences of what you do. If you do not experience this before you doe, your soul creates a new life so that you can. This is reincarnation. Eventually, you treat people as you would like to be treated.
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