A Quote by Siddhartha Mukherjee
The trick to my writing, it turned out, was doing so exclusively in bed. The minute I even dared to discipline myself and write at the desk, I produced mounds of nonsense. Yet, sitting in bed, I wrote easily, effortlessly, fluidly. I became the master of perfect indiscipline.
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My desk is right next to my bed. So I sit on my bed. I write in a big notebook which is on the desk. And if I feel drowsy, I just have to slide into bed.
I wrote a play once called 'Lobby Hero,' which I thought turned out very well, but there's no final version of it. I published the one we produced, but there are seven other versions with different variations sitting in my desk at home.
It wasn't that I couldn't write. I wrote every day. I actually worked really hard at writing. At my desk by 7 A.M., would work a full eight and more. Scribbled at the dinner table, in bed, on the toilet, on the No. 6 train, at Shea Stadium. I did everything I could. But none of it worked.
It's so, so awful for my entire body and my spine and my hands, and I have a perfectly good desk to write at, but I don't care. I love writing in bed.
If you read Victorian manuals, they're crazy - the amount of attention they devote to the perfect making of the bed, the cleanliness of the bed, the hygiene of the bed.
In bed we laugh, in bed we cry, and born in bed, in bed we die; the near approach a bed may show of human bliss to human woe.
The fools who write articles about me think that one morning I suddenly decided to write and began to produce masterpieces. There is no special trick about writing, or painting either. I wrote constantly for 15 years before I produced anything with any solidity to it.
If things are going well, if the writing's coming along, I jump out of bed happy. And if the previous day has been bad, I get out of bed disgruntled.
Many aspects of the writing life have changed since I published my first book, in the 1960s. It is more corporate, more driven by profits and marketing, and generally less congenial - but my day is the same: get out of bed, procrastinate, sit down at my desk, try to write something.
For some reason, I wrote about the bed we slept in when I was a kid. It was a half-acre of misery, that bed, sagging in the middle, red hair sticking out of the mattress, the spring gone and the fleas leaping all over the place.
(After getting out of another treatment center) I came home one Sunday morning. I sat on the edge of my bed. I never grew up going to church. I never read a Bible. I wasn't anti-God. I just never thought about God. I just lived for myself and thought about myself...I was married by this point. I'd been married for two years. So, here I am sitting on the edge of my bed, nine o'clock Sunday morning. I have a son who's not quite two yet and I just broke down crying because I had been out all weekend doing cocaine.
After you publish a book, you become a writer and you're supposed to take it very seriously. You're supposed to show up at your desk - although frankly, I don't have a desk, I write in bed - you're supposed to show up at your bed and produce work. I think it's a little bit like work. I like to have fun with it, do things like make silly book trailers. I don't want to take this too seriously.
I willingly trust myself to chance. I let my thoughts wander, I digress, not only sitting at my work, but all day long, all night even. It often happens that a sentence suddenly runs through my head before I go to bed, or when I am unable to sleep, and I get up again and write it down.
Well, I'm gonna get out of bed every morning... breathe in and out all day long. Then, after a while I won't have to remind myself to get out of bed every morning and breathe in and out... and, then after a while, I won't have to think about how I had it great and perfect for a while. - Sleepless in Seattle
It takes a long time to drag myself out of bed, and at night I'm buzzing. As a young man it was helpful, but now I'd like to be tired when I go to bed and alive in the morning.
I've never been able to write for myself. I was doing a lot. I produced The Green, I wrote it - I didn't see myself in the world of this film. I'm sure there are elements of dark corners of my psyche that found their ways on screen; you didn't need my mug up there. There was enough of my essence in the story as it plays out without me acting in it.
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