A Quote by Siddhartha Mukherjee

My memory of my household is of one immersed in books and music. I have a very intimate relationship with Bengali literature, particularly Tagore, and my interest besides reading then was music.
I'd say, in some ways, I'm very Bengali. I have a love of the arts - dance, music, visual arts - which I think is a very Bengali trait. I also love food, which I know is very Bengali!
I seriously think Bachchan is more Bengali than any one I know. He's a true Bengali dada. And I'm not saying that because he has a Bengali wife or has spent time in Kolkata. There's more of Rabindranath Tagore's legacy in him than anyone else.
And after I compose my programs, but it is very easy because I look to the music in a very natural way without fuss, and so I look always music, in my home, like books and books and books, choose books and you read the pages, so I do this with music, and I make programs.
The relationship between Victoria Ocampo and Tagore is something every Bengali has heard about and there is a mystery attached to it. This mystery is enough to attract an actor.
It naturally elevates the soul to feel this intimate relationship to it's primal ground...A man then feels himself truly at home, and whenever he is lifted up through music he can say to himself: "Yes, you come from other worlds, and in music you can experience your native place."
A song playing comprises a very specific and vivid set of memory cues. Because the multiple-trace memory models assume that context is encoded along with memory traces, the music that you have listened to at various times of your life is cross-coded with the events of those times. That is, the music is linked to events of the time, and those events are linked to the music.
If nobody talks about books, if they are not discussed or somehow contended with, literature ceases to be a conversation, ceases to be dynamic. Most of all, it ceases to be intimate. It degenerates into a monologue or a mutter. An unreviewed book is a struck bell that gives no resonance. Without reviews, literature would be oddly mute in spite of all those words on all those pages of all those books. Reviewing makes of reading a participant sport, not a spectator sport.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?
In so many areas, when you think about it, you never really see an actor cross over to music. It always music to acting and it's receivable because when music gives a form of entertainment of art to where it's very personable, it's a passion, it's an intimate type of art to when you hear it, it's them.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
I'm really happy when I'm immersed in the art of it all - immersed in the music, the dance, the visual. Tapping into joy - it saves you.
I hadn't read any of the books before, but I have since we started. It's so funny because I'm reading a book of a person that I'm playing. Then, here's this person that she's in a relationship with and, what we're shooting now, we're not in a relationship. I'm getting a prequel and a history to these people in the book. It's very odd. It's very weird because it's like The Twilight Zone.
I've been greatly influenced by the music of R.D. Burman and Sudhin Dasgupta, and I took it as a challenge to bring back the golden days of Bengali music.
I started out doing the acting, and there was always an interest in music, and then the music just took off.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
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