A Quote by Sidharth Malhotra

For me, the most difficult move was when I chose to quit modelling and applied for a position of an assistant director. — © Sidharth Malhotra
For me, the most difficult move was when I chose to quit modelling and applied for a position of an assistant director.
Then I usually leave the choice of the second assistant director and any other assistant directors to the first assistant director, who will choose because he or she is responsible for the conduct and the efficiency of the second assistant directors.
Providence had a graduate assistant job opening. They asked me if I wanted to apply, and I applied. That break right there put me in position to learn from great coaches. It really jump-started every other good break I ever had in coaching.
When I was modelling, I spent half my life staring at thousands of perfect reflections. It got to a stage where I was losing all sense of reality - so after I quit modelling, I took all the mirrors out of my house.
I studied acting throughout high school, then modelling took over because it brought more opportunity. When I quit modelling, coming back to Vancouver, I registered at the University of Victoria.
When I worked as an assistant director in 2007, Indraganti Mohan Krishna offered me a lead role. Now, the same director has made me a villain in 'Gentleman.'
Every tomorrow has two handles we can take hold of it with the handle of anxiety or the handle of faith If you can quit, quit. If you can't quit, stop complaining - this is what you chose.
If you can quit, quit. If you can't quit, stop complaining - this is what you chose.
The position of an assistant director in Japan is a handyman who does everything if necessary. They must overcome the unreasonable demands of hard-hearted and whimsical directors, and staff with different personalities or habits.
I surrender to my directors. I do that because I respect them immensely. In fact, a director's talent scares me. I admit that they're more intelligent than me, and I submit to that, as an assistant director does. Even when I have suggestions to make, I don't state them strongly.
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
A great director, first, is highly intelligent. And he is also a dedicated and willing to work hard. Now those are easy things to identify. The third is the creativity, and that is very difficult to identify in advance. This is why so many of the directors who have started with me were my assistant - the first one was Francis Ford Coppola.
Modelling was never a career option for me; it was always a hobby. I was modelling while I was pursuing my B.Tech, so the obvious choice after finishing my studies was to do a job. But while I was modelling and doing TV commercials, I really loved being in front of the camera. I enjoyed the shooting process.
I sometimes have dreams that my assistant director is waking me up and trying to get me to the set.
I don't go for holidays or celebrate my success because I know nothing is permanent. I don't let it get to me - like I am India's top director with too many hits. If that happens, I might lose the connect with my audience. The day I go wrong, they will run away from me. I want to be like an assistant director all my life.
I proceeded to prove everybody right as to how bad an economics student I was by failing as an assistant manager in every theatre I went to that hired me, both as an assistant manager and as an actor. I lost money and tickets, and I couldn't keep track of anything. So eventually they fired me from assistant-manager jobs, but kept me on as an actor.
My aunt put my cousins into a childrens modelling agency, then my mum did it with us. Me and my sister got a few TV adverts, which was good pocket money. A director saw photos of me and asked me to do a short film.
This site uses cookies to ensure you get the best experience. More info...
Got it!