A Quote by Sidharth Malhotra

The thing I crave for the most is appreciation for my acting. — © Sidharth Malhotra
The thing I crave for the most is appreciation for my acting.
People crave attention and appreciation more than they do bread.
I'm not vegetarian. I eat what I crave, but most of the time I don't crave meat.
I am happy because I want nothing from anyone. I do not care for money. Decorations, titles or distinctions mean nothing to me. I do not crave praise. The only thing that gives me pleasure, apart from my work, my violin and my sailboat, is the appreciation of my fellow workers.
Ideally, as an actor, we all crave attention, appreciation, and to be recognised. What's the point of doing it yourself? It needs to come from someone else, and when that happens, I enjoy that moment.
Acceptance is appreciation, and the high value of appreciation is such that to appreciate appreciation seems to be the fundamental prerequisite for survival. Mankind will not die for lack of information; it may perish for lack of appreciation.
When I first started acting in college, at Cal, the thing that I loved about acting was not being onstage but going into rehearsals. The thing, as I look back on it now, that I was most attracted to, was that I felt like I'd found my family. It was just a bunch of loonies.
The characteristic shared by people at the top of their profession is that, to get better, they crave criticism. Most people don't like criticism, but if you are trying to shave two tenths of a second at 800 metres, that is what you crave.
The thing with acting is I'm at the liberty of someone who wants to book me. With music, I can do it all the time. With acting, I could, too, if I wanted to write a script and do that whole thing, but music is a constant thing. Acting, I have to audition.
I have an appreciation for what some people would call "bad acting," but which I think can be much more real than the overly emotive, technical and supposedly "realistic" acting that is so prevalent in mainstream cinema.
I once succumbed to the fad of fasting and went for six days and nights without eating. It wasn't difficult. I was less hungry at the end of the sixth day than I was at the end of the second. Yet I know, as you know, people who would think they had committed a crime if they let their families or employees go for six days without food; but they will let them go for six days, and six weeks, and sometimes sixty years without giving them the hearty appreciation that they crave almost as much as they crave food.
You have to overcome enormous self-consciousness, but nudity is about the strongest thing you can do in an acting performance. It's the most unsettling or the most comic or the most sexual.
The process of acting, not necessarily the business of acting, but the actual doing of it in the moment is my greatest kind of personal passion, the thing that brings me alive the most. Also, my two children.
We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.
'Conservative,' to me, means someone that has an appreciation for the Constitution, that has an appreciation for a limited government and has an appreciation of our nation's founding and our history.
For me, the real goal is to integrate. The thing that I'm most happy with is the fact that I've been able to keep doing all of it - to keep writing, and to keep acting in movies, and to keep acting on the stage, to keep directing plays. I find that they feed each other, and that I learn about acting from directing and I learn about writing from acting.
When you're a child, you crave formal recognition; you crave ceremony, celebration, certification of proof.
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