A Quote by Sidney Howard
He’s a pagan! I’m an artist! We’re naturally sympathetic!
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The emotions of the spectator will still be very apt to fall short of the violence of what is felt by the sufferer. Mankind, though naturally sympathetic, never conceive, for what has befallen another, that degree of passion which naturally animates the person principally concerned.
For those who struggle with anti-pagan prejudices and stereotypes, Humanist Paganism might be a powerful educational tool. It can show that a pagan can be a sophisticated, cosmopolitan, and enlightened person, and that a pagan culture can be artistically vibrant, environmentally conscious, intellectually stimulating, and socially just.
I am not religious in any way, but I have a pagan ideology and pagan values.
Naturally one would rather be a broad artist with power to evoke beauty from every phase of experience--but when one unmistakably isn't such an artist, there's no sense in bluffing and faking and pretending that one is.
My impression of Americans from the beginning is of the best, and I have never since had cause to alter my mind. They are a kind, sympathetic race of people and naturally proud of their country.
There is nothing harder for an Artist than to retain his Artistic integrity in the tomb of success. A tomb, nevertheless, which nearly every Artist: whether he admits it or not; naturally wants to get into.
I sometimes call my new system 'Italian pagan Catholicism,' but it could more accurately be called 'pragmatic liberalism,' with roots in Enlightenment political philosophy. It is a synthesis of the enduring dual elements in our culture, pagan and Judeo-Christian, Romantic and Classic.
Being a Pagan without knowing much about Paganism is a bit silly, in the sense that you would probably have been a Pagan had you known more, but you could not really be because you only knew so much about it.
It's hard for me to worry about the studios losing money. I'm not very sympathetic to their money problems, because they certainly haven't been sympathetic to mine.
Homer, Hesiod, Pythagoras, Plato, and Cicero, just to name a few, all lived in pagan societies. Some of the greatest political and military leaders of all time, such as Alexander the Great, Pericles of Athens, Hannibal of Carthage, and Julius Caesar of Rome, were all pagans, or else living in a pagan society.
I don't know why, but audiences are often sympathetic to thieves. Sometimes they are more sympathetic to thieves then they are to earnest people. What does that say about society?
There's a bizarre insistence on how a story should be. 'The protagonist must be sympathetic!' they say. Whatever that means. I never engage in that discussion. I never use that word, 'sympathetic.' I just know 'interesting.'
An artist should let his style evolve naturally, spontaneously.
Harvard was also a little bit of a villain in my first book, 'The Dante Club.' I guess there might be a way to make Harvard more of a sympathetic presence, but it's such a powerful institution that it more naturally lends itself toward not necessarily a negative but an obstructionist element in a story.
It's not very interesting to establish sympathy for people who, on the surface, are instantly sympathetic. I guess I'm always attracted to people who, if their lives were headlines in a newspaper, you might not be very sympathetic about them.
Every single means of communication amongst the public, the government has antennae into, to find out who is liable to be sympathetic and who is not liable to be sympathetic, and I think this has probably been going on since all channels of communication began.
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