A Quote by Sidney Nolan
Painting is an extension of man's means of communication. As such, it's pure, difficult, and wonderful.
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Limited means often constitute the charm and force of primitive painting. Extension, on the contrary, leads the arts to decadence.
There's something of a painting of a woman that represents all women - and by extension, all of humanity - that I just find very exciting. It's a nice distillation, I think, of what it means to be alive.
Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting but use painting as a means to photography.
The rope connecting two men on a mountain is more than nylon protection; it is an organic thing that transmits subtle messages of intent and disposition from man to man; it is an extension of the tactile senses, a psychological bond, a wire along which currents of communication flow.
The wheel is an extension of the foot, the book is an extension of the eye, clothing an extension of the skin, electric circuitry an extension of the central nervous system.
Travelling, gentlemen, is medieval, today we have means of communication, not to speak of tomorrow and the day after, means of communication that bring the world into our homes, to travel from one place to another is atavistic.
People say that practicing Zen is difficult, but there is a misunderstanding as to why. It is not difficult because it is hard to sit in the cross- legged position, or to attain enlightenment. It is difficult because it is hard to keep our mind pure and our practice pure in its fundamental sense.
The more wonderful the means of communication, the more trivial, tawdry, or depressing its contents seemed to be.
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.
It has been said that love is a function of communication. I believe that to be true. I believe, by extension, that human understanding is a function of communication. And the better human beings understand one another, the higher the level of functioning.
Communication with the dead is only a little more difficult than communication with some of the living.
When I am in a painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc, because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
What, indeed, does not that word "cheerfulness" imply? It means a contented spirit, it means a pure heart, it means a kind and loving disposition; it means humility and charity; it means a generous appreciation of others, and a modest opinion of self.
Telephone and telegraph were better means of communication than the holy man's telepathy
True Boogie-Woogie I conceive as homogeneous in intention with mine in painting: destruction of melody, which is the equivalent of destruction of natural appearance, and construction through the continuous opposition of pure means - dynamic rhythm.
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