A Quote by Sidney Poitier
In my case, the body of work stands for itself... I think my work has been representative of me as a man.
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Nothing is more humiliating than to have to beg for work, and a system in which any man has to beg for work stands condemned. No man can defend it.
In suffocating the voice of conscience, passion carries with itself a restlessness of the body and the senses: it is the restlessness of the "external man." When the internal man has been reduced to silence, then passion, once it has been given freedom of action, so to speak, exhibits itself as an insistent tendency to satisfy the senses and the body.
People are more willing to dislike your music and want to find faults in you when you are given opportunities like in my case. But I think in my case, people love my work and that's why I have to work doubly hard.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
An ordinary man will work every day for a year at shoveling dirt to support his body, or a family of bodies; but he is an extraordinary man who will work a whole day in a year for the support of his soul. Even the priests, men of God, so called, for the most part confess that they work for the support of the body.
I am grateful for the opportunities I have been given to participate in that work as a representative of my country, Canada, whose people have, I think, shown their devotion to peace.
If you're Stephen King and you have a massive body of huge-selling well-respected work, you can pivot and do whatever you want. I don't have that body of work, I don't have that audience that's comfortable with me enough yet to follow my bliss with me.
Of those, the only one that really stands out for me is Tales From The Darkside, for a couple of reasons, one in particular being who I got to work with on it, which was Eddie Bracken. I mean, what a man. Someone who's done Preston Sturges movies, and I actually got to work with him? And he was great.
Man's nature is fundamentally good, or perhaps it is neither good nor evil. In any case, man is something to work on. We must hold fast to this fact - man is something to work on.
In any bureaucratic organization there will be two kinds of people: those who work to further the actual goals of the organization, and those who work for the organization itself. Examples in education would be teachers who work and sacrifice to teach children, vs. union representative who work to protect any teacher including the most incompetent. The Iron Law states that in all cases, the second type of person will always gain control of the organization, and will always write the rules under which the organization functions.
My work is all that I think about because I spent so many years not doing anything. Therefore, work pleases me, which is success in itself.
I don't look at my work as an avenue for generating more work. For me, my work itself is sufficient.
At least 90 percent of my work is in situ. For me, it's not only to work with the architecture and space, it's also to work with the time, to work with the people who are involved with the place. It's also dealing with history. It takes all this into account. Other works can be placed in different environments, but they always follow a rule. This is usually not the case for work in situ, because even if they are transported, they remain there forever or they are destroyed.
No man is born into the world whose work is not born with him. There is always work, and tools to work with, for those who will, and blessed are the horny hands of toil. The busy world shoves angrily aside the man who stands with arms akimbo until occasion tells him what to do; and he who waits to have his task marked out shall die and leave his errand unfulfilled.
As a working actor, all I want to do is work. That's it. It's terrifying when you don't work. It's very hard when you don't work. There have been times when I've been out of work for like six months. I feel theatre to me is like manna.
There is another way in which this idea of mercy and selfless charity can be put into practice; that is, by looking upon work as "worship" in case we believe in a Personal God. Here we give up all the fruits our work unto the Lord, and worshipping Him thus, we have no right to expect anything from man kind for the work we do.
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