A Quote by Sidney Poitier

I did not go into the film business to be symbolized as someone else's vision of me. — © Sidney Poitier
I did not go into the film business to be symbolized as someone else's vision of me.
The feature film business, the studio film business, feels to me like there's just nowhere else to go. It's like a record that's just skipping at the end, with the needle stuck in the run-out groove.
What happened to society? I go into business, I don't make it, I go bankrupt. I've been on food stamps and welfare, did anybody help me out? No. No. They gave me hope, they gave me encouragement, and they gave me a vision.
I mean I met James Wan at film school. That's where we met. I didn't go to film school to find someone else to work with. I was thinking I would go and learn to direct and go and be a director like everyone else at school.
I don't want to be like anyone else or do what someone else did. I want to be like me and do what's best for me. I can't go do stuff Cardi B did - that may not work for me.
I write most of my stuff. When I'm rejected in music, it hurts worse than when I don't get a role, because that's someone else's vision. If they don't see me as that part, even if I believe I'm the perfect person for it, that's their vision. The music is my vision.
For me the true business of photography is to capture a bit of reality (whatever that is) on film...if, later, the reality means something to someone else, so much the better.
A lot of biopics to me feel very much like someone is standing in front of the camera and is reading a Wikipedia page to you, like someone is reciting event. Did you know this happened? Did you know that happened? But Alan Turing's life deserved a sort of passionate film, and an exciting film.
Music, for the moment, has been this hidden thing for me. For the first time, I am master of something. I am not used by someone else, like in movies or pictures, where you always have the happiness or disappointment of knowing it's you seen through someone else's point of view. You go to see a film and half of the pretty scenes are not in it-the ones you liked. Living with this frustration all the time, suddenly music came as the best thing for me at home, where no one can tell you anything.
To have no vision of your own means living the vision of someone else.
In Bollywood you are constantly singing someone else's feelings and someone else's vision.
With a film you go with the script that's already written. And I've never thought of a project, a film that would come from my own desire. I don't think I can do it. I need someone else's desire to be able to do something. With a record, it is completely different, it's a collaboration with another artist, but I'm willing to go into intimate places with no masks on.
People came at me with all sorts of offers, wanting to make me into a hard-core Cher. I had no desire for any amount of money to be reformed for someone's vision, because in the end, that's what you got: your clay in someone else's hands.
It's really thrilling to work with an illustrator - your vision expands with the addition of someone else's artwork/artistic vision.
Someone else's vision will never be as good as your own vision of your self. Live and die with it 'cause in the end it's all you have. Lose it and you lose yourself and everything else. I should have listened to myself.
With my own comics, I try hard to get the vision in my head onto paper, to have one match the other as closely as possible. With the 'Airbender' comics, I'm working with someone else's vision, an already-established vision. I want to stay true to what's come before.
I did film and television, not having worked in banking or consulting, a very different stream. So I said, 'I'll go to business school, and it will help me decide more on what I want to do.'
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