A Quote by Sidney Poitier

But I always had the ability to say no. That's how I called my own shots. — © Sidney Poitier
But I always had the ability to say no. That's how I called my own shots.
Mahatma Gandhi I would say had perhaps a greater spiritual quality whereas Winston Churchill had besides the courage, ability and above everything else, the ability to put into words what his people felt so that he could always lead them. And my own husband I think had great patience, which you need in a democracy because you have to come to do fundamental things, you have to have the patience to have people educated; and then I think he had a deep interest in human beings as human beings.
I called all of the producers and although we didn't have enough money to do that, I had to actually know which shots I wanted to get because we only had at most, one or two takes and then we had to move on.
No matter what the trends are in the NBA - teams going big, going small, getting more efficient with analytics - the ability for a player to create his own shot, then convert tough shots, will always be a weapon, particularly when you get to the playoffs.
I had no real photography experience, thankfully. I consciously took a lot of crowd shots. I was influenced by Seattle photographer Charles Peterson, who always seemed to incorporate fans in his live band shots.
I have always had confidence in my own ability.
I've had a different kind of career on the periphery of show business. I've never been on any kind of corporate timetable whereby every six months I have to pop out a record like a pulping mill. I've called my own shots. When I get tired, I take time off.
I've always had faith in my ring ability, but sometimes it's how you are perceived, and how good you are doesn't matter.
I had to learn very quickly how to perform, how to act, how to look, to always say what I wanted to say in my songs.
He [Charlie Chaplin] was always playing as if it were to the camera, if you've seen the live shots of him when he's going to an opening night or something like that. And the skills that he had were beyond my ability to throw together. You just couldn't really compete with him. He was too athletic at that.
When you hear my lyrics, you hear the shots that I throw at people. I throw shots because I always been the underdog. I got rejected so many times, and I say it in my lyrics constantly.
Even if it's just two shots, I just want to see the ball go in the hole. That gives me the confidence to know I can make shots when I'm called upon in a playoff type of situation.
With cab drivers, I always say I'm from Brazil. I don't say I'm from Israel. It's happened more than once that someone is blaming me for the government's policy. And I say, 'Listen, I live here. I'm a musician. I don't call the shots.'
It doesn't service anyone any to say, "This is a terrible violation in any circumstance always," because that robs us of our ability to write our own lives. I've had people cheat on me and it's been devastating, and I've had people cheat on me and felt that it showed their true colors.
I had always wanted to make music on a big scale but never knew how it was going happen - until I saw a band in Oslo called Bridges. I was stunned. They had everything. The only thing they didn't have was me. I knew I needed to join, not for my own sake but for the band's. I knew I was a necessary ingredient.
I think of all my iron shots as punches - not punch shots, but how much pressure I'm applying to the hit.
There are basically five ways to score in the half court. Layups, mid-range, three-pointers, free throws - and then what I call 'tough shots.' Tough shots come anywhere on the floor, under difficult circumstances. The ability to create that shot is a special skill in the NBA.
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