A Quote by Sidonie Gabrielle Colette

By means of an image we are often able to hold on to our lost belongings. But it is the desperateness of losing which picks the flowers of memory, binds the bouquet.
By an image we hold on to our lost treasures, but it is the wrenching loss that forms the image, composes, binds the bouquet.
My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, Give and Take, was about my Aunt Sugar, how I was losing her to her memory loss.
My own journey in becoming a poet began with memory - with the need to record and hold on to what was being lost. One of my earliest poems, 'Give and Take,' was about my Aunt Sugar, how I was losing her to her memory loss.
In some of our subcultures, paper bags are often used to carry intimate personal belongings. And the sight of some of our less fortunate citizens carrying their belongings in brown paper bags is too familiar to permit such crass biases to diminish protection of privacy.
Some people say they use images to help them remember intricacies. Others say they just remember. If they are able to form an image of the face, it is because they remember how it was: it is not that an image guides memory, but that memory produces an image, or the sense of imaging. We have no agreed way to talk clearly about such things.
I hate getting flowers. I can't stand when I get a bouquet of flowers, because I have to stop what I do, cut the flowers, put them in a vase - if you're going to bring flowers, bring them in a vase already!
A thoughtful cup of tea brought to your bedside each morning means more to me than the huge bouquet of flowers bought once a year.
If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.
... the image of feeling created by artists, in every kind of art -- plastic, musical, poetic, balletic -- serves to hold the reality itself for our labile and volatile memory, as a touchstone to test the scope of our intellectual constructions.
Memory is strange. Scientifically, it is not a mechanical means of repeating something. I can think a thousand times about when I broke my leg at the age of ten, but it is never the same thing which comes to mind when I think about it. My memory of this event has never been, in reality, anything except the memory of my last memory of that event. This is why I use the image of a palimpsest - something written over something partially erased - that is what memory is for me. It's not a film you play back in exactly the same way. It's like theater, with characters who appear from time to time.
Nostalgia is eternal for Americans. We are often displaced from our origins and carry anxious memories of that lost past. We fear losing our bearings.
We act, we behave, and we feel the vibration that we're in at the present time according to what we consider our self image to be. And we do not deviate from that pattern. The image you hold of yourself is a premise, a foundation (idea) on which your entire personality is built. This image, not only controls your behavior but your circumstances as well.
You've often heard me say - perhaps too often - that poetry is what is lost in translation. It is also what is lost in interpretation. That little poem means just what it says and it says what it means, nothing less but nothing more.
Now let us gather into one bouquet, from the King's garden, these seven fragrant flowers: Jesus the Son of God; Jesus our sin-bearer; Jesus the giver of eternal life; Jesus the keeper of our undying souls; Jesus the hearer of our prayers; Jesus the chastener who can turn crosses into crowns; and Jesus the wonder-worker who changes us into eternal likeness unto Himself! These flowers will keep sweet till heaven dawns.
Though Alec had never seen the occupants of the first floor loft, they seemed to be engaged in a tempestuous romance. Once there had been a bunch of someone's belongings strewn all over the landing with a note attached to a jacket lapel addressed to "A lying liar who lies." Right now there was a bouquet of flowers taped to the door with a card tucked among the blooms that read I'M SORRY. That was the thing about New York: you always knew more about your neighbors' business than you wanted to.
If you wagered $5,000 on each of my winning NFL picks in 2012 and $500 ($550) on each of my losing picks, you'd be ahead $70,050. Wow.
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