A Quote by Sidse Babett Knudsen
I have just discovered the beautiful poetry of Soren Ulrik Thomsen. Danish is not the strongest of languages, but he uses it very well.
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My erotic poetry is not poetry that uses vernacular words. It is a very erotic poetry, but I never use anything, for example, that is not in the dictionary. I don't like to be ugly, I seek out what is beautiful, and if my great search is for freedom and beauty, I can't be vulgar, ordinary.
Danish is a different language, even though Danish people understand Swedes, and very few Swedes understand Danish.
Luther exerted a strong influence on Denmark. Suddenly Danish theologians were preaching in Danish and translating the Bible into Danish.
Poetry cannot be translated; and, therefore, it is the poets that preserve the languages; for we would not be at the trouble to learn a language if we could have all that is written in it just as well in a translation. But as the beauties of poetry cannot be preserved in any language except that in which it was originally written, we learn the language.
When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.
I discovered I'm 60 per cent Viking. Well, more Danish, I suppose. I'm also two-and-a-half per cent Neanderthal.
Each year, in this world, several languages do die out. There are certain languages that have their survival assured for many years, such as English, but there are other languages whose survival is not so sure, such as Catalan, especially if they don't have a state that protects them. Catalan is spoken in Catalonia, Valencia, the Balearic Islands, and Andorra. There are about ten million people who understand it and eight and a half who can speak it. But its future is much less certain than, for example, Danish or Slovenian or Latvian, because they have a state.
I just discovered when I was, oh, 12 or 13, that I was very interested in language - and this showed itself as poetry. There was no looking back.
American Danish can be doughy, heavy, sticky, tasting of prunes and is usually wrapped in cellophane. Danish Danish is light, crisp, buttery and often tastes of marzipan or raisins; it is seldom wrapped in anything but loving care.
It is true that the trees are for human use. But these are aesthetic uses as well as commercial uses-uses for the spiritual wealth of all, as well as the material wealth of some.
I've always just liked writing poetry, but it's much later that I've discovered that there's this whole poetry world out there, that you almost have to be accepted into, like this little club.
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
The business, task or object of the scientific study of languages will if possible be 1) to trace the history of all known languages. Naturally this is possible only to a very limited extent and for very few languages.
There are stories, like maps that agree... too consistent among too many languages and histories to be only wishful thinking.... It is always a hidden place, the way into it is not obvious, the geography is as much spiritual as physical. If you should happen upon it, your strongest certainty is not that you have discovered it but returned to it. In a single great episode of light, you remember everything.
The poetry of India can be truly known only through scanning the poetry of all languages.
It's curiosity, and always a sense of poetry. You see it in particular in the chapter "Iceland" where I'm reciting ancient Icelandic poetry. It has this very beautiful gravitas in conjunction with the volcanoes.
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