A Quote by Siegfried Kracauer
Guided by film...we approach, if at all, ideas no longer on highways leading through the void but on paths that wind through the thicket of things.
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Knowledge is awareness, and to it are many paths, not all of them paved with logic. But sometimes one is guided through the maze by intuition. One is led by something felt on the wind, something seen in the stars, something that calls from the wasteland to the spirit.
Today, financial capital is no longer the key asset. It is human capital. Success is no longer about economic competence as the main leverage. It is about emotional intelligence. It is no longer about controls. It is about collaboration. It is no longer about hierarchies. It is about leading through networks. It is no longer about aligning people through structures and spreadsheets. It is about aligning them through meaning and purpose. It is no longer about developing followers. It is about developing leaders.
Having a range of perspectives allows you to tell stories through a different lens and approach things from fresh angles. If you're straining everything through the same filter, you're always going to wind up with the same product.
I approach things from my feeling first. I have to get a feel for the character. I'll do that through music; I'll do it through what is naturally popping up for me when I read the script. My ideas or whatever the occupation of the character might be.
God passes through the thicket of the world, and wherever His glance falls He turns all things to beauty.
Over the past decade I have watched many friends go through graduate school and write dissertations. Through that process, I have seen how they are guided by mentors to understand particular norms within their disciplines and to learn about what they can and cannot, should and should not say, and which ideas can go together and which cannot. I never went through this process.
Whether it be through television, or through music, or through dance, or through film, whatever it is, as long as it's the right project that makes sense, then I'm all for it.
Time is a keyhole.... We sometimes bend and peer through it. And the wind we feel on our cheeks when we do--the wind that blows through the keyhole--is the breath of all the living universe.
The way Everest is guided is very different from the way other mountains are guided, and it flies in the face of values I hold dear: self-reliance, taking responsibility for what you do, making your own decisions, trusting your judgment - the kind of judgment that comes only through paying your dues, through experience.
Sometimes dangerous paths are the only paths leading to the safest paths. In these cases, do not hesitate to take the dangerous roads!
All things are void. So how possibly could there be any obscurations since everything is void, when you're void itself? There's only the void. In the void, there's only shining, perfect clear light of reality.
It is through an "intimate cessation of all intellectual operations" that the mind is laid bare. If nor, discourse maintains it in its little complacency. ... The difference between inner experience and philosophy resides principally in this: that in experience, ... what counts is no longer the statement of wind, but the wind.
German writings attain popularity through a great name, or through personalities, or through good connections, or through effort,or through moderate immorality, or through accomplished incomprehensibility, or through harmonious platitude, or through versatile boredom, or through constant striving after the absolute.
People are beginning to realize that it's important that we see animals in a natural state - but through film, through video, through documentaries, at wildlife preserves, and through other humanely protected ways, which don't involve... performing for us.
We discovered this halfway through the process. When we started making the film there were some lines of dialogue in Portuguese, but we then changed our minds. The film started from very specific issues in the world, in particular Latin America, but halfway through the journey we felt the necessity to have more universal ideas that were not so specific.
I didn't know the term 'synesthesia' until I was working on 'Cruel Summer.' Halfway into writing that, I really understood that, my entire life, I had been trying to describe this condition of mine: through painting, through this seven-screen Surround Vision film we shot in Qatar, through all these things.
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