A Quote by Siegfried Lenz

I sit in my room at my desk, looking out the window to the yard and waiting for a plot to come to me, to rise slowly in my mind. — © Siegfried Lenz
I sit in my room at my desk, looking out the window to the yard and waiting for a plot to come to me, to rise slowly in my mind.
"I guess I've been waiting so long I'm looking for perfection. That makes it tough." "Waiting for perfect love?" "No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for."
I was never too much into school. I liked lunchtimes and breaks, but nah, I hated sitting at a desk. I was always looking out of the window, looking at my watch, thinking about when I could play football.
I was in a daze in my childhood mostly - always looking out of the window, waiting for some life to happen that I wanted to live. Now I realise it is this, and that's what got me out of Gwalior.
There was a sergeant at a desk. I knew he was a sergeant because I recognized the marks on his uniform, and I knew it was a desk because it's always a desk. There's always someone at a desk, except when it's a table that functions as a desk. You sit behind a desk, and everyone knows you're supposed to be there, and that you're doing something that involves your brain. It's an odd, special kind of importance. I think everyone should get a desk; you can sit behind it when you feel like you don't matter.
I hate the waiting room. Because it's called the waiting room, there's no chance of not waiting. It's built, designed, and intended for waiting. Why would they take you right away when they've got this room all set up?
Don't design your back yard from the outside looking in. Design from your window looking out.
Every day I go to my study and sit at my desk and put the computer on. At that moment, I have to open the door. It's a big, heavy door. You have to go into the Other Room. Metaphorically, of course. And you have to come back to this side of the room. And you have to shut the door.
It seemed to me that I should have a desk, even though I had no real need for a desk. I was afraid that if I had no desk in my room my life would seem too haphazard.
As a writer, I'm mostly at my desk, staring out my window. No one sees me.
When I was a kid, I used to do my homework in the living room, where there was a picture window. I was hoping that someone would walk by and see me looking very studious in my living room.
To have come here as an intern for the 'Today' show, to shoot that reel - I looked so serious. To be terrified like that and then to come and sit at this desk, to sit next to my friend Peter Alexander every Saturday, it is the honor of a lifetime.
I remember being a child eagerly looking out the Amtrak window, waiting for the New York City skyline to emerge.
I had three pieces of limestone on my desk, but I was terrified to find that they required to be dusted daily, when the furniture of my mind was all undusted still, and threw them out the window in disgust.
Everything is holding its breath inside me. Everything is waiting to explode like Christmas. I want to be all new and shiny. I want to sit out bad at night, a boy around my neck and the wind under my skirt. Not this way, every evening talking to the trees, leaning out my window, imagining what I can't see.
I think there are [gay players] right now, and if they're looking for a window to just come out, I mean, now is the window. My view on it is, yes, I am a Christian, but to each his own. You do what you want to do.
Sometimes, writing songs is like waiting in for deliveries. They give you a window, and your washing machine is going to show up, whether the window is the album or something you're thinking, like, 'This thing is going to come to me.'
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