A Quote by Sienna Miller

I sometimes get very protective of the people I play. — © Sienna Miller
I sometimes get very protective of the people I play.
Sometimes I think it's easier to play someone who's very, very different from yourself. Besides, I wouldn't want to play people who are just like me; that would get awfully boring very fast!
When you work in a creative environment, people get protective about their ideas. Sometimes it's justified; sometimes it's about ego.
My family is just embarrassingly proud of me. My brothers get a little protective... overly protective. I've made rules now where I say: "You can't go outside and scream at people if they have cameras!"
Playwrights are naturally wary and protective - God, who's more protective than a playwright? You read a play, the playwright wants to hear from you immediately.
It's not hard to draw from within yourself to play someone protective of her daughter. I have animals and I'm a daughter, sister, wife, aunt and friend, and I can be fiercely protective.
It's okay to feel the need for protection if there is a real external threat. But to feel protective from the inside, it's a kind of jail: you get so protective that you cannot get out of the box.
In fact, the family as an institution is both oppressive and protective and, depending on the issue, is experienced sometimes one way, sometimes the other - often in some mix of the two - by most people who live in families.
So sometimes the facts are good and sometimes the facts are bad, the important thing from the point of view of a principle as broad and important as freedom of speech is that the courts articulate and set forth in a very protective way what those principles are.
When you write something, at first you might feel very defensive and protective of every single thing, but after a while, you just see what works and what doesn't. Sometimes you do test screenings, and an audience tells you that, or sometimes you eventually just go, 'Let's cut the joke out.'
I think it's very common that scientists or technical people have an artistic side. Sometimes they are very accomplished musicians. Sometimes they have very fine tastes according to art or design. And often, they've spent a big chunk of their childhood or they're growing-up years trying to get in very good at those activities.
I try to maintain an even tempo in all the games. Sometimes you play well and sometimes you get out. When you get out, you feel it is a wrong shot. Most players in tough situations play shots that could be out, but over time you refine that and give yourself the best chance of performing, the more you play in such situations.
I like to be around people who are very passionate. People that won't fight but that will be very over-protective and outspoken about their opinion, their point of view, their ideas.
My sister can get critical sometimes and she don't care what she say or how she makes you feel sometimes. That's just who she is and that's her being a protective big sister.
I'm very protective of my material. And you have to be, because it's very easy for people just to steal jokes.
I'm always surprised when you do something very different that people don't get behind you more, because you're always told, "Take chances! Stretch!" And when you do it, sometimes people get really supportive and excited, but sometimes people go at you because you've tossed out the formula.
It's a very weird thing. When you see your house naked, you feel very protective of it and of the people who lived here before.
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