A Quote by Sienna Miller

You become very known for being someone's girlfriend, and all of a sudden there's all this hype and buzz for all the wrong reasons. — © Sienna Miller
You become very known for being someone's girlfriend, and all of a sudden there's all this hype and buzz for all the wrong reasons.
Pollock was well known, certainly, but for all the wrong reasons. He was known as much for being wild and unconventional in his working methods as for being a great artist.
All I'm saying is that you shouldn't stay with him for the wrong reasons, even if they are noble ones. No one owes it to someone else to be their girlfriend. It's a choice you remake every day.
What the ISL has done is create the hype and buzz around football that it very badly needs.
You must never feel badly about making mistakes ... as long as you take the trouble to learn from them. For you often learn more by being wrong for the right reasons than you do by being right for the wrong reasons.
If you hype something and it succeeds, you're a genius - it wasn't a hype. If you hype it and it fails, then it was just a hype.
Well, you know, in any novel you would hope that the hero has someone to push back against, and villains - I find the most interesting villains those who do the right things for the wrong reasons, or the wrong things for the right reasons. Either one is interesting. I love the gray area between right and wrong.
Few beautiful women were willing to indicate in public that they belonged to someone. I had known enough women to realize this. I accepted them for what they were and love came hard and very seldom. When it did it was usually for the wrong reasons. One simply became tired of holding back love and let it go because it needed some place to go. Then, usually, there was trouble.
I've always had a career. I have been working hard since I was 15 years old. Being someone's 'girlfriend' was never what I wanted to be famous for. What makes you 'famous' isn't always what you want to be 'labeled' as or known for.
I've become very interested in the ways things can change even with someone you've known for many years and you've committed to for life. How drastic can you damage things in the way you speak to someone?
Very, very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons. It's a great relief to feel that you're working with someone rather than for someone. You don't feel that you're being tested, as it were.
It was very hard when the newspapers were chasing me. It was also very weird. I know I'd just become world champion but shouldn't they be following someone who has done something wrong?
Ninja was able to survive its own hype and become a very strong label.
If somebody does something wrong to someone around me, I can be firm. But that's always to protect someone to whom wrong is being done to.
You do stand-up because you have to do it. If you're doing it to become 'famous,' you're wrong. If you're doing it to become a millionaire, you're doing it for the wrong reasons. In 2003, I was flat broke. I'd been doing stand-up for 14 years at that point. I loved it and just kept at it.
I've always been very clear: I never want to be known just as somebody's girlfriend.
To really be known and really let someone else be known is very vulnerable. It's a weird thing. Just being an actress in Hollywood is very vulnerable. To let all these other people decide whether you're really of value or not, you have to really be strong to know that, of course, they have a right to their opinion, but their opinion doesn't matter as far as yourself.
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