A Quote by Sienna Miller
I can't wait to be seen as a woman. But I know I probably have to contribute to that with behaviour.
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You know, I'm allowed to f--king date, I haven't seen this guy in three years. We're in the middle of a divorce. For a woman, she has to wait. For a man, who cares? That's what it's painted as.
You have to know human behaviour … And the quality of your writing is absolutely capped at your understanding of human behaviour. You’ll never write above what you know about people.
I know it may come as a shock, but it's sort of considered polite to wait for the consent of the woman. In fact, I'm pretty sure that if you don't wait, you may have to deal with pesky criminal charges like kidnapping and rape.
I find that people can pass me on the street who've just seen my picture in the paper and they wouldn't recognize me. If they'd seen me on television, the heads turn. They say, "Wait a minute. I don't know who that is, but he's somebody.
I have seen romanticism outlast the realistic. I have seen men forget the beautiful women they have possessed, forget the prostitutes, and remember the first woman they idolized, the woman they could never have. The woman who aroused them romantically holds them.
One of the greatest things that ever taught me a super lesson was when I seen a baby come out of my woman's womb. The head and body - you know, a baby's born inside a woman's stomach, you know all that. But to watch this thing come out and fight for life, yo, and to see the woman's risking her life at the same time this thing is fighting for life, you know what I mean?
I think they (Thatcher protesters) ought to be grateful for the fact that the people who hold our (pro-Thatcher) views, and who are not mindless bigots, won't allow their behaviour to provoke us into words or behaviour which would could be seen as a breach of the peace. Hopefully, those of us who admire Margaret Thatcher are too well-mannered to fall for the bait.
I used to think I was ugly. I thought I looked like a camel. A person who doesn't love themselves, they will see anything that pops up on their face. I've seen squirrels, I've seen a bird, and I've seen all kinds of animals on my face. But that is the result of self-hate. I've learned to say: 'You know what? I am a beautiful black woman'.
I think the goal is parity: I try to be pro-woman without being anti-man, and I hope and wish that men could do the same in that when they look at the screenplay, they say, 'Wait, wait, wait - is my daughter represented here, is my wife represented here? Is my sister represented?'
I can't wait to take my son to see 'Wonder Woman' - I can't wait to show him all the female characters can be well-rounded people.
I've seen the real extreme diva behaviour and I don't think that's who I am.
Wait, wait, wait, wait. Don't try to write through it, to force it. Many do, but that won't work. Just wait, it will come.
One of the hardest things about being a musician is finishing a project and then having to wait three or six months to publish it and to do all the sort of promotional behaviour.
They've seen me make decisions, they've seen me under trying times, they've seen me weep, they've seen me laugh, they've seen me hug. And they know who I am, and I believe they're comfortable with the fact that they know I'm not going to shift principles or shift positions based upon polls and focus groups.
It would be rare to find a woman who hadn't endured some kind of ridicule for stepping out of line. When the market dictates that a woman's value is primarily attached to her looks and deferential behaviour, it's the threat of sexually degrading insults that help to keep her in check.
The dialectical critique of positivist habits of mind ... is interested only in behaviour which is 'important' to the actor; that is, behaviour which is emotionally charged to the degree that it is either frequently recalled, reflected upon, or day-dreamed about. ... That science which is less discriminating in the behaviour it chooses to investigate gains clarity and distinctiveness at the cost of confining itself to the trivial.
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