I've tried to tell people that the reason I don't really get excited over good press is that I don't want to get agitated over bad press. I don't wanna get too high on good press, too low on bad press. It's just not a healthy way to engage with my own feelings about my music.
I think when two people get together, their past is their past. Their reputations are reputations. You can only take someone the way you find them... on face value.
I know that some of the folks in the press are uptight about this [moving the press corps out of the West Wing ], and I understand. What we're - the only thing that's been discussed is whether or not the initial press conferences are going to be in that small press - and for the people listening to this that don't know this, that the press room that people see on TV is very, very tiny. Forty-nine people fit in that press room.
There's no question almost press secretaries talk about the sense of serving two masters. On the one hand you want to protect the president's interests, and you represent his interests to the press. And the press is a proxy for the American people.
I've often met people who are terrified, you know, in a straight jacket of their own making because they'd rather do anything that fail. They don't want to try for fear of failing.
The young have to kill the old. The young, if they want to achieve their own platform, have to diminish the reputations of the ones that have gone before. That's how life works.
There's so much cynicism around in Britain, especially in the press. The American press might be naive, but at least you feel as if they're on your side.
I want people to know that on the other side of the world - and even in your own country or on your own street - there are people who need something that you can give them.
The press has let the country down. It's taken a very amoral stand, in that essential issues are often portrayed as simply one side says this and the other side says that. I think that Fox News and the Republican right have intimidated the press into an incredible self-consciousness about appearing objective and backed them into a corner of sorts where they have ceded some of their responsibility and righteous power.
I think when two people get together, their past is their past. Their reputations are reputations. You can only take someone the way you find them... on face value. I think that was how we were both, the way we were.
This patriotic revolution where people want to find their own identity are not racist but want to fight for the preservation of their own people. Their own country, their own values. Their own money. Their own borders. This is such a positive thing.
Honestly, everybody gets talked about. Some people control their press a little more than others. Some people feed the press and move it the way they want to. I don't do that.
I was terrified, terrified in Songwriter, because there I was, New York Jewish girl, singing country-western onstage with Kris Kristofferson and Willie Nelson. I mean, forget it. I was so terrified.
I was terrified, terrified in 'Songwriter,' because there I was, New York Jewish girl, singing country-western onstage with Kris Kristofferson and Willie Nelson. I mean, forget it. I was so terrified.
I don't want to hurt people's feelings if I can help it. I don't want anyone unnecessarily humiliated, but I say whatever stands between you and justice must give way; and if you have to walk over reputations — and if they become pavement you cannot help it.
The adequate study of culture, our own and those on the opposite side of the globe, can press on to fulfillment only as we learn today from the humanities as well as from the scientists.