A Quote by Sienna Miller
I've said things and meant them, but I'm obviously a very confused person who has no idea how they feel about things.
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I think of myself as quite a confused kind of person, because I think there's so many great things about the world, but there are so many awful things too. I feel very guilty a lot of the time about enjoying my life so much when there are people living in such misery.
"I can't forget things, or ignore them-bad things that happen," I said. "I'm a lay-it-all-out person, a dwell-on-it person, an obsess-about-it person. If I hold things in and try to forget or pretend, I become a madman and have panic attacks. I have to talk.
People are very confused about how to do things on a computer, but generally, if you hover your cursor over things, it will tell you what it is.
How do you tell someone that you weren't the person he thought you were? And more importantly, how did you tell him that you'd meant the things you'd said, when everything else about you turned out to be a lie.
If I focus on one person, the idea is that, oh, now you've attained this goal and beaten one person. One person. Well, what about the rest of them? Now how are you going to feel about fighting them? What's the motiviation there?
I'm such an incredibly, stupidly sensitive person that everything that happens to me, I experience it really intensely. I feel everything very deeply. And when you feel things deeply and you think about things a lot and you think about how you feel, you learn a lot about yourself. And when you know yourself, you know life.
I haven't the faintest idea what my royalties are. I haven't the faintest idea how many copies of books sold, or how many books that I've written. I could look these things up; I have no interest in them. I don't know how much money I have. There are a lot of things I just don't care about.
I do feel that there are things you can learn from an artist, but I think you need to be very close to that person, and to know that person fairly well, in order to acquire anything from them. I do have a teacher myself, and I have learned quite a lot from my teacher, but it's not how to make a film. It's more how to approach my life as a director, how to approach and how to lie to a producer.
It's a beautiful idea to focus on how everything is temporary and always in flux. It may feel bad now, but it will feel good later, and vice versa. To write about those things brings this satisfying feeling as a creative person.
I'm a very mellow person. There are things about me that are intense, obviously.
I recognize that memory is far from infallible though. If I feel like I can't accurately describe something, I just leave it out. I also do things like write "he talked about ..." instead of writing direct quotes. But generally I feel like since my stories are very obviously meant to be my perception of an event rather than the objective truth this gives me a lot of leeway.
I really hope that there are more young men coming to terms with the fact that they feel things and it's OK to feel things and to talk about how they feel about things. That's not weak. It's brave and strong and good.
What I said was I’ll miss you what I meant to say was I love you what I wanted to say was that I meant what I said and it’s funny how all those things I could have said flooded my head after we said goodbye and I should have told you I’d be willing to hold you until my flesh crumbles into bone because I’m willing to die alone but god knows I don’t want to live that way.
They walked to school, talking about how much they were longing for the summer holidays. "Oh, I am planning things," said Jamie. "Great, great things. I could join a band." "You gave up the guitar after two lessons." "Well," he said, "I could be a backup dancer." "Backup dancers have to wear belly shirts and glitter," said Mae. "So obviously, I support this plan.
I had this idea about terrible things happening to orphans, and I knew it was such a horrible idea that the idea of writing it down and then submitting it professionally was obviously absurd.
It's funny how that comes up, because sometimes I'll write something and I'll think, I don't know if that's a film or a play, and then other things I feel very strongly about them just being plays - they feel very theatrical to me.
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