A Quote by Sigfried Giedion

Naturalistic art, as we know it, is an art which imitates the appearance of things, not as they are in reality, but as they appear at one moment from the point of view of a single spectator. This is the effect of perspective. Nothing of this sort existed in prehistory.
The end (goal) of art is to figure the hidden meaning of things and not their appearance; for in this profound truth lies their true reality, which does not appear in their external outlines.
Without art we would be nothing but foreground and live entirely in the spell of that perspective which makes what is closest at hand and most vulgar appear as if it were vast, and reality itself.
Art imitates nature not in its effects as such, but in its causes, in its 'manner,' in its process, which are nothing but a participation in and a derivation of actual objects, of the Art of God himself.
Realistic, naturalistic art had dissembled the medium, using art to conceal art; Modernism used art to call attention to art.
Where Picasso paints cause, Repin paints effect. Repin predigests art for the spectator and provides a short cut to the pleasure of art that is necessarily difficult in genuine art. Repin, or kitsch, is synthetic art.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
Paradoxically though it may seem, it is none the less true that life imitates art far more than art imitates life.
I feel like life imitates art, or art imitates life. I always take on roles that I'm passionate about.
Falsehood, like a drawing in perspective, will not bear to be examined in every point of view, because it is a good imitation of truth, as a perspective is of the reality, only in one. But truth, like that reality of which the perspective is the representation, will bear to be scrutinized in all points of view, and though examined under every situation, is one and the same.
It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.
"Art Imitates life," of course, is that phrase by Oscar Wilde. I called that song "Art Imitates Life" because Oh No was in the studio and he actually came up with that hook. When I was trying to figure out a name for the record, it just kind of made sense.
Art imitates life and, sometimes, life imitates art. It's a weird combination of elements.
It's very interesting how life imitates art, and art imitates life; I find, whenever I read scenes of some magnitude, I'm like, 'Oh, I feel like I've experienced this,' or 'I am experiencing this,' or 'I might start to experience it soon.'
The art of seeing nature, or, in other words, the art of using models, is in reality the great object, the point to which all our studies are directed.
Art is not cozy and it is not mocked. Art tells the only truth that ultimately matters. It is the light by which human things can be mended. And after art there is, let me assure you all, nothing.
Life imitates art far more than art imitates Life.
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