A Quote by Sigmar Polke
I've never been interested in philosophy, but some of Jung's ideas seem useful in helping people understand pictures and so forth.
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I've never been particularly interested in genre distinctions. They seem to me more useful to a librarian than to a writer.
Philemon explained how Jung treated thoughts as though they were generated by himself, while for Philemon thoughts were like animals in the forest, or people in a room, or birds in the air. Jung concluded that Philemon taught him psychic objectivity, the reality of the psyche. This helped Jung to understand that there is something in me which can say things that I do not know and do not intend.
If you don't get out of the box you've been raised in, you won't understand how much bigger the world is. You might never find out that you are useful for all the right reasons - and not all those stupid things that people tell you you're useful for.
Some people seem as if they can never have been children, and others seem as if they could never be anything else.
Artists are interested in pictures as sources of ideas for their work. Where the pictures come from and how they are made is of little concern to them.
I know I can only do as much as I can do... Although I have so many ideas of my own, I'm still very interested in helping to cultivate and encourage some promising new artists. But there are a lot of people and, unfortunately, a very small window.
Academic environments are generally characterised by the presence of peole who claim to understand more than in fact they do. Linguistic Philosophy has produced a great revolution, generating people who claim not to understand when in fact they do. Some achieve great virtuosity at it. Any beginner in philosophy can manage not to understand, say, Hegel, but I have heard people who were so advanced that they knew how not to understand writers of such limpid clarity as Bertrand Russell or A.J. Ayer.
When you work fast, what you put in your pictures is what your brought with yoiu - your own ideas and concepts. When you spend more time on a project, you learn to understand your subjects. There comes a time when it is not you who is taking the pictures. Something special happens between the photographer and the people he is photographing. He realizes that they are giving the pictures to him.
The muse appears at the point in my writing when I sense a subtle shift, a nudge to move over, and everything cracks open, the writing is freed, the lanuage is full, resources are plentiful, ideas pour forth, and to be frank, some of these ideas surprise me. It seems as thought the universe is my friend and is helping me write, its hand over mine.
I have a process that I seem to always, to some degree, as a writer, adhere to, but I certainly have never imposed the way I write a novel on my students. When I had students, I never said, "You should never start writing a novel until you have the last sentence." I never did that, and I wouldn't do it now, but people now seem so interested in the process [of writing fiction] that I have to constantly make it clear when I describe mine that I'm not being prescriptive. I'm not proselytizing.
Some of my colleagues seem more interested in using every procedural method possible to keep the Senate from doing anything than they are in creating jobs or helping Americans struggling in a difficult economy.
Philosophy is not a body of knowledge to impart to someone, that's why reading philosophy books isn't always the best way of learning philosophy. Philosophy is really more the process of rational engagement, rational reflection with a diversity of views and ideas and opinions and trying to sort of reason your way through to a more reflective position. I think if you look at it that way, philosophizing is to some extent some small way a part of almost everyone's lives although they don't recognize it as such and a lot of people are embarrassed about it.
I believe that almost all important, useful ideas are simple. Peter Whittle has recently put it nicely in an autobiographical essay. "If a piece of work is heavy and complicated then it is wrong." . . . Some writers feel that to express their ideas in simple terms is degrading. Some use complexity to disguise the paucity of their material. In fact, simplicity is a virtue and when, as here, it is both original and useful, it can represent a real advance in knowledge.
Ever since men became capable of free speculation, their actions, in innumerable important respects, have depended upon their theories as to the world and human life, as to what is good and what is evil. This is true in the present day as at any former time. To understand an age or a nation, we must understand its philosophy, and to understand its philosophy we must ourselves be in some degree philosophers. There is here a reciprocal causation: the circumstances of men s lives do much to determine their philosophy, but, conversely, their philosophy does much to determine their circumstances.
Unlike Freud, Jung did not believe that a dream is a mask for a meaning already known but deceitfully withheld from the consciousmind. In his view, dreams were communication, ideas expressed not always straightforwardly, but in the best way possible within the limits of the medium. Dreaming, in Jung's psychology, is a constructive process.
It's been a long haul. It may seem to some people that have never heard of me, 'Oh she just popped up on the scene,' but I've been working on this for some time.
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