A Quote by Sigmund Freud
A piece of creative writing, like a day-dream, is a continuation of, and a substitute for, what was once the play of childhood.
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I'm always writing. A friend of mine once said, 'You avoid re-writing by writing.' Which is kind of a good point, because re-writing seems to be mostly about craft, and writing is just, like, getting out your passion on a piece of paper.
What I'm really involved in when I'm writing is something that no one ever mentions when they see any play. Writing is like trying to make gunpowder out of chemicals. You have these words and sentences and the strange meanings and associations that are attached to the words and sentences, and you're somehow cooking these things all up so that they suddenly explode and have a powerful effect. That's what absorbs me from day to day in writing a play.
Once a piece of writing gets to a moment where it's not going to get much better than it already is, marinate it. If you still like the piece, send it out and see what others think. If not, it's time to put it away and forget about it for a while.
I grew up loving cars. It was completely and utterly, without a doubt, my childhood dream. Whether your childhood dream progresses or changes, you turn into a man and you probably shouldn't still have that same dream.
I didn't originally intend on writing a book. I started writing during the day to feel like I was accomplishing something creative.
My dream was to play for France. It's been my dream since childhood.
A lot of people, myself included, are excited about blogging and stuff like that, citizen journalism, but I do remind people that no matter how excited we are, there's no substitute for professional writing, no substitute for professional editing, and no substitute for professional fact-checking.
There's music every day. I don't think I could write without it. Not that I listen while I'm writing. It's more hearing a piece of music that I want to somehow convert into prose, as a creative inspiration.
Once I started writing at 'The Onion' I was like, oh this is it, this is my dream job, I've achieved my dream job.
When you're Shredder for Halloween as a kid, and now you get to play him, it's like a childhood dream come to life.
The good thing about writing books is that you can dream while you are awake. If it’s a real dream, you cannot control it. When writing the book, you are awake; you can choose the time, the length, everything. I write for four or five hours in the morning and when the time comes, I stop. I can continue the next day. If it’s a real dream, you can’t do that.
Writing 'Hoop Roots' was a substitute or a surrogate activity. I can't play anymore - my body won't cooperate - so in the writing of the book, I was looking to tell a good story about my life and about basketball, but I was also looking to entertain myself the way that I entertain myself when I play.
I have always wanted to be an actor. I like to enjoy every single day of my life, because I am living my childhood dream.
I always say writing a play is like toothache: I find it incredibly painful, and it's only once the play's out that the pain is gone.
For a long time, I missed being in the courtroom every day. I missed trial work. It was so much a part of my life. It was what I did and who I was. But over the years, I did find the opportunity to realize my childhood dream of writing crime fiction.
For a long time, I missed being in the courtroom every day. I missed trial work. It was so much a part of my life. It was what I did and who I was. But over the years I did find the opportunity to realize my childhood dream of writing crime fiction.
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