A Quote by Sigourney Weaver
Some of the most intense affairs are between actors and characters. There's a fire in the human heart and we jump into it with the same obsession as we have with our lovers.
Related Quotes
Actors who are lovers in real life are often incapable if playing the part of lovers to an audience. It is equally true that sympathy between actors who are not lovers may create a temporary emotion that is perfectly sincere.
I'm convinced that the most important division in human affairs is probably not the one between left and right, liberal and conservative. It's the one between zealotry and understanding, between absolute conviction and compromise, between preachers and politicians.
For the most part, my characters don't talk to me. I like to lord over them like some kind of benevolent deity. And, for the most part, my characters go along with it. I write intense character sketches and long, play-like conversations between me and them, but they stay out of the book writing itself.
Obsession is the single most wasteful human activity, because with an obsession you keep coming back and back and back to the same question and never get an answer.
Before you start production, you have characters you have created without actors in mind, then all of a sudden you've got actors. They bring an enormous amount in creating these characters, and creating the dynamics between the characters that you've written.
There are betrayals in war that are childlike compared with our human betrayals during peace. The new lovers enter the habits of the other. Things are smashed, revealed in a new light. This is done with nervous or tender sentences, although the heart is an organ of fire.
While reasons are provided by the facts,...rationality...depends instead on our beliefs. [...] [I]f I believe falsely that my hotel is on fire, it may be rational for me to jump into the canal. But I have no reason to jump. I merely think I do. And, if some dangerous treatment would save your life, but you don't know that fact, it would be irrational for you to take this treatment, but that is what you have most reason to do.
It is possible to speak with our heart directly. Most ancient cultures know this. We can actually converse with our heart as if it were a good friend. In modern life we have become so busy with our daily affairs and thoughts that we have lost this essential art of taking time to converse with our heart.
Even during the years of the Cold War, the intense confrontation between the Soviet Union and the United States, we always avoided any direct clash between our civilians and, most certainly, between our military.
The difference between men and women is inalienable. It is not a political fact, subject to cultural definition and redefinition, but a physical verity. We do truthfully experience our lives differently because our bodies are different. It is in what we do with our experience that we are the same. We feel, absorb and examine with the same intensity, and intense experience honestly examined informs the art of both sexes equally. ... The power of imagination illuminates all human lives in common.
The secret at the heart of 'The Memory Keeper's Daughter' is something everybody, except for some of the characters, knows in Chapter 1. Some of the narrative tension comes from that distance between what the readers know and what the characters know.
You can't actually have a romance between friends. That sort of defeats the definition of the word "romance." The word you're looking for is "love." It's a love between friends, just as there's also love between lovers, or possible lovers, or even ex-lovers. Same holds true for "bromance" - it's just a clever word used to avoid the word love, for straight boys who don't want that old-fashioned taint of gayness. Dudes, you love each other. Deal with it.
The most natural, and, consequently, the truest and most intense of the human affections are those which arise in the heart as if by electric sympathy.
Actors are different. Some actors play themselves very successfully, but I come from the theater. Having done Shakespeare, we sometimes did three or four characters in the same play.
All love affairs are tragedies in the end unless the lovers die at the same moment.
It's our job as actors to make it look like it's not manufactured. If you have two actors who understand their characters - and therefore what they are trying to portray - then all they need to do is be the characters and there's a chemistry there.
Related Authors
Angelina Jolie Quotes
American
Actress
Carrie Fisher Quotes
American
Actress
Cate Blanchett Quotes
Australian
Actress
Drew Barrymore Quotes
American
Actress
Emma Watson Quotes
British
Actress
Jane Fonda Quotes
American
Actress
Jennifer Aniston Quotes
American
Actress
Kate Winslet Quotes
English
Actress
Kristen Stewart Quotes
American
Actress
Lena Dunham Quotes
American
Actress
Marilyn Monroe Quotes
American
Actress
Meryl Streep Quotes
American
Actress
Mindy Kaling Quotes
American
Actress
Sandra Bullock Quotes
American
Actress
Selena Gomez Quotes
American
Actress
Viola Davis Quotes
American
Actress