A Quote by Sigourney Weaver

After I left Yale, we were all doing these mad plays off - off Broadway. And I got back to that feeling I had from college, of everyone making up in front of one cracked mirror, which is what I loved - the scrappy theater idea. I think off-off Broadway healed me, made me an actor again, and I was in so many different crazy shows.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and off-off Broadway as far as I'm concerned is in New York the pride of New York theater.
I never intended to go to Broadway. I was very happy being in an Off Broadway theater and having an Off Broadway life. What it did to me is try to fit a round peg - that's me - into a whole bunch of square buildings. I just didn't fit.
I've been working very hard off-off-off-off-off-off-off Broadway and doing little films and really sweating my butt off in tiny little black boxes.
Until I got 'Full Metal Jacket,' I was doing Off-Off-Broadway plays with three people in the audience.
I started in theatre when I was 13 or 14 years old and did a lot of theatre until my early thirties. Off-Broadway stuff - off-off-off-off-Broadway stuff - and I do love it.
When I got out of school, I just started doing plays of the off-off-Broadway route, and for many years, that's what I did, slowly doing work in tiny theaters, building relationships with people in the business. It's not a showy story.
I thought my first few jobs would just be off, off, off, off, off broadway. And by chance and how the world works, I ended up on a TV show instead.
I wanted to be a therapist if the acting didn't work. I also did a lot waitressing and odd jobs. I'd audition but couldn't get hired to save my life. I'd do Off-Broadway theatre and that was great and I was excited and thrilled, feeling like, 'Well, it's Off-Broadway, but there's still the Broadway in there.'
I spent a lot of time in the trenches in New York doing a lot of off-off-off Broadway theater.
I'm the journeyman actor that you saw in one scene here, two scenes there. I've been eking out a living doing theater - Broadway, Off Broadway - film supporting roles, that I'm just excited to be a part of the conversation.
When I got out of the Army, I started writing the usual 'Catcher in the Rye' imitations, and then I wrote something that was done Off-Off Broadway in a theater. It was called 'What Else Is There?' and it was four or five people playing missiles in a silo waiting to take off.
I really cut my teeth on off-off-off Broadway shows.
I don't think of myself as a TV actor. I think of myself as a film, television and Off-Off-Off-Off Broadway actor.
Even before I was working off-Broadway, there were lots of different TV shows that I would actually say 'no' to, and my agents would be like, 'Are you crazy?' but they stuck with me because they know the kind of things that excite me.
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