A Quote by Sigrid
I've got ambitions. I've always been very ambitious. But I think there's something nice about not saying all of my dreams, in case they don't happen and then it's just really embarrassing.
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It's really nice when you can sit down with somebody and just talk to them, and talk about your ideas and what you think the character is, and they respond to it. It's a really nice way to do it, but it doesn't happen very often.
John Barth, I think, was really a writer of my own age and somewhat of my own temperament, although his books are very different from mine, and he has been a spokesman for the very ambitious, long, rather academic novel. But I don't think that what he is saying, so far as I understand it, is so very different from what I'm saying.
I would never do a commercial for something that is embarrassing, and I think that people maybe have a different perspective on what is embarrassing or not. Some people think doing a Revlon hair commercial is really cool. To me, that's embarrassing, but World of Warcraft - not embarrassing, very cool.
I would never do a commercial for something that is embarrassing, and I think that people maybe have a different perspective on what is embarrassing or not. Some people think doing a Revlon hair commercial is really cool. To me, that's embarrassing, but World of Warcraft: not embarrassing, very cool.
If something has not been part of your dreams or ambitions, then you are not awestruck by it.
Ambitions for self may be quite modest. . . . Ambitions for God, however, if they are to be worthy, can never be modest. There is something inherently inappropriate about cherishing small ambitions for God. How can we ever be content that he should acquire just a little more honour in the world? No. Once we are clear that God is King, then we long to see him crowned with glory and honour, and accorded his true place, which is the supreme place. We become ambitious for the spread of his kingdom and righteousness everywhere.
I think you're never going to get somewhere ambitious if you don't start out with great ambitions. What I would say is: we got a start. That to me is a very significant thing. Here we were, a historic meeting to talk about climate change.
I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.
I think we all need to believe in hope: that if we have dreams and if we have ambitions and if we have skills and talents - that if you really put your heart into something and you work at it hard enough - that you can make your dreams come true.
Everybody would like to be good, that's the silly thing, everybody always likes it when they're having a nice time or when they're happy or when it's sunny, they all dig it; but then they go and forget about it, they never really try to make it nice. They think that it just comes along and it's nice if you're lucky, or if you're unlucky it's bad for you.
Does it seem sometimes that you are always the one to break an embarrassing silence — and always by saying something more embarrassing than the silence?
When you're young, you think your parents are embarrassing and always saying and doing the wrong things, but as you get older you really appreciate how right they were about so much.
One of the things that really impressed me about Anna Karenina when I first read it was how Tolstoy sets you up to expect certain things to happen - and they don't. Everything is set up for you to think Anna is going to die in childbirth. She dreams it's going to happen, the doctor, Vronsky and Karenin think it's going to happen, and it's what should happen to an adulteress by the rules of a nineteenth-century novel. But then it doesn't happen. It's so fascinating to be left in that space, in a kind of free fall, where you have no idea what's going to happen.
I'm not afraid to write about madness. I always figure that whatever most embarrasses you is something that everyone can relate to, really...because we're just not that different. So if you think, 'Oh my god, this is so embarrassing. I can't possibly talk about that,' and you write about it, the audience is gonna be like, 'that happened to me!
I don't really expect anything to happen anyway; if I book a tour, I know it might not happen. I just think about the things that I have got. A lot of good things have happened to me too. It could always be worse.
The thing about 'Veep' is that you never really know where the camera's going to be. So you're not really just saying your line and then just watching it: you're trying to act the whole time just in case the camera is watching you.
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