A Quote by Sigrid

When you are young in this industry, it's difficult to know when to speak up. — © Sigrid
When you are young in this industry, it's difficult to know when to speak up.
I don't know the reason why someone would not speak up about sexual harassment. I don't know why it doesn't happen here, but I am sure it exists not only in our industry, but every industry, it is there.
The Big Music Project gives young people access to producers, managers, set designers, artists and a load of other industry insiders who are at top of their game. It can be difficult to know where to start and this project gives young people who are passionate about music, knowledge and hands on experience.
I try to give a voice to teens, who might be afraid to speak up about difficult issues, and a platform for parents and teachers to have frank, meaningful discussions with those young people.
I won't speak for the entertainment industry. I speak for Disney. I've seen people in the industry come to work every morning paranoid about what the other person or other company is doing. That means you're spending time and focus on somebody else's business instead of your own.
Those who know do not speak; Those who speak do not know. Stop up the openings, Close down the doors, Rub off the sharp edges. Unravel all confusion. Harmonize the light, Give up contention: This is called finding the unity of life.
My parents brought me up to speak the way I speak, to hold my head up high, to know wrong from right and to have manners.
It's not about what you achieve, it's actually what you do for your industry and that's what I think is important. And when people look at me and they see my achievements with the restaurants do you know what I think? I think I did more than that. What I achieved was teaching young men and young women when they were young and inspiring them.
The one glaring issue I have with the modeling industry and the fashion industry is that there is no union for young women and when I went into acting, the way young kids are protected, there must be a mandatory union or regulation, it just has to be done.
I often meet young directors who, you know, had a 'Ghostbusters' picture on their wall as they were growing up. And it's really nice. It just shows how inter-generational our industry is.
That's exactly how I felt. So getting to suddenly know this young [princess] Margaret, who had this extraordinary life - it was sad and tragic and difficult and sort of astonishing and getting to know her young self was amazing because it completely defied all my expectations.
With few exceptions, the publishing industry has come to a consensus: if a book has a young protagonist, and if its worldview is primarily interested in the questions that crop up when coming of age, then it's a young adult novel.
The world has wanted me to speak differently than I speak. You know, I speak like my mom; I speak like, you know, like the whitest white dude; I speak like a Def Comedy Jam comedian doing an impression of a white guy.
The young know how truly difficult and dreadful youth can be. Their youth is wasted on everyone else, that's the horror. The young have no authority, no respect.
We're living in a time, unfortunately, where, you know, a lot of young men, particularly young men of color, being raised by single mothers. And their mothers so desperately want to connect with them, but I found, in talking with a lot of young men, that sometimes it's difficult.
It's difficult to be a mother and maintain a career as a performer - but then it's difficult in any industry.
I have two sons, ages 23 and 25, and know that parents need to listen more and speak less. Young people today don't always know what's going on or how they fit in, and if someone walks up to them and says, 'Hey, kid: If you listen to me I'll give you power and a sense of purpose,' it can hold tremendous appeal.
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