A Quote by Simon Armitage

We don't know where print is going. — © Simon Armitage
We don't know where print is going.

Quote Topics

If our brands are going to be in print and on mobile handsets and in video and events, we have to acknowledge that the playing fields are going to be different than a print-only product or a print product with extensions to it.
You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.
I feel like the Earth is a re-print of a re-print of a print of a re-print.
I love a wild animal print. Not just a leopard print - I'm talking about a tiger or zebra print, too.
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
I don't know why we said half the stuff that we did to journalists. It was almost as if we didn't think they were going to print it.
Print is still responsible for a significant portion of the revenues that, you know, pay for the work of the newsroom. But, you know, digital is very important. And part of the thrill of having this job now is I get to lead us through what is both a thrilling and very challenging transition from a print world to a digital world.
I loved seeing my name in print, I loved seeing my words in print. I felt really privileged to be in the kind of company I was in at Esquire, but I didn't think it was going to launch a career as a top-notch journalist. It's just not what I wanted.
I'm not a big fan of my books going on cross-country road trips. They get arrogant and, next thing, start aspiring to become 'large-print' books. I say, let them stay home and be regular small-print books.
I've never told anybody this, so I don't know if maybe you shouldn't print it, but I've made plans. I'm only going to continue doing this for another 25 years.
In general, I get nervous when I do print interviews because I know that whatever I say is going to be shown through the lens of whomever I'm talking to.
Self-publishing worked for me. Being able to put your work in print, even if it's a tiny print-on-demand print run of a dozen or so copies, shows publishers and editors a completed piece of work and that you can follow through on a project.
I've got so much going on in my day job. And I've been around politics enough to know all the swirl that's fit to print, and so I focus on the reality of the here and now.
To hell with news! I'm no longer interested in news. I'm interested in causes. We don't print the truth. We don't pretend to print the truth. We print what people tell us. It's up to the public to decide what's true.
You know how they say, "Find your voice"? That's your voice, in your pajamas. And it doesn't mean that you're going to publish it or print it or people are going to see you in your pajamas. It just means you are going to construct the foundation in your pajamas, in that voice.
Well, it wasn't really a decision on my part although you always hope as an author that a book that goes out of print somehow winds up back in print. These days publishers like to put out-of-print books into e-book form, but I really wanted to do an update.
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