A Quote by Simon Baker

I love con-men characters in film. — © Simon Baker
I love con-men characters in film.

Quote Topics

I've always loved movies about con men. I think con men are as American as apple pie.
I think the Con-Con issue is really diversionary. I've always been against Con-Con, from the very first the time the idea was raised. Everybody knows that.
I contend that there really are no more con men. There's no need for con men anymore. There's no need for the very sophisticated, suave guy, the well-dressed guy. Today, you steal with the computer from thousands of miles away - from China, from Libya, from Hong Kong. Your victim's never going to see you, so there's no need to be any of that.
Since I knew I was going to make a film that was purely about emotions, and I knew that I ran the risk of being accused of amnesia relating to the social film, to prevent this I decided it would be good to have characters who were on the margins of society. These are characters for whom love is really the only way to know that they're alive.
It makes it very easy. I have a beginning, middle, and end, and I don't film for long - about 20 hours usually for a two-hour film - so it's easily watchable in a week for me and the editor. Once I know who the characters are, I only film those characters, unless somebody else forces their way into the film by a scene happening to them or we meet them by chance.
I got into comics on John Byrne's run of the X-Men and the Dark Phoenix Saga. I got in around X-Men 95, right when it turned to the new X-Men. So that whole family, all those characters are kind of my favorite characters, just the X-Men world.
I've always loved film and wanted to work in film. I just love working and creating new characters, and trying different genres and different things. For me, I just love to work and I love movies.
Comic-Con is always something that we- we love Comic-Con and we generally have a big presence there. So we usually have something to say there, and just as things come together.
Any story dealing, however seriously, with homosexual love is taken to be a story about homosexuality while stories dealing with heterosexual love are seen as stories about the individual people they portray. This is as much a problem today for American filmmakers who cannot conceive of the presence of gay characters in a film unless the specific subject of the film is homosexuality. Lesbians and gay men are thereby classified as purely sexual creatures, people defined solely by their sexual urges.
I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.
We went to Comic-Con and there were people dressed up as the characters. There's a whole canon of Ninjago history that I didn't even know about until the process of making the movie had started. Especially at Comic-Con, I realized that people really, really care about this, and I hope they like it because it's meaningful to them. It did actually change my feelings about it.
This is not to be cocky, but, I go over real well at Comic-Con. I've done quite a few Comic-Cons, and I enjoy the hell out of them. They are so much fun, and so bizarre. I've done the FX Show in Florida, Wizard-World in Chicago, Comic-Con in San Diego, Wonder-Con in San Francisco, the Comic-Con in New York, and I've done them numerous times.
Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain.
When it comes to writing characters, whether men or women, I think a good writer writes good characters. I know many men who, for years, have written strong, progressive women characters.
There are no characters in the limited series Fargo that are derived from the characters in the film Fargo. It's hard to describe how remarkably true to the film the show is.
I've always loved film and wanted to work in film. I just love working and creating new characters, and trying different genres and different things.
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