A Quote by Simon Baron-Cohen

Well, in the general population, we find differences between the typical male and typical female. For example, males seem to be more interested in systems and females seem to be more interested in people and particularly people's emotions.
If asked to sketch a picture of the typical archer I would be hard put. They seem to come in all shapes, sizes, colors and backgrounds. Inwardly they seem to have in common a love for the outdoors, a reverence for wildlife, and a close tie with history. There is nothing they seem to enjoy more than telling tall tales around a campfire or talking about archery to others. It would be difficult to find a more interesting group of people.
There's surprisingly little difference between writing from a male angle and from a female angle, but I feel more restricted in my language when I'm writing as a male character because males tend to sound less emotionally expressive than females.
If I were writing about Picasso and pointed out that he painted women because he was interested in the female form, that would seem like an obvious point. I don't know why people revolt when I point out that Rockwell painted the male figure and was interested in it.
In general, I'm always interested in characters who have kind of extreme aspects to them, who are in some ways larger than typical people.
There's no question that males are more violent and more prone to the type of hierarchical organizations that lead to war. War is largely a male activity. In fact, there is some correlation [between making war and] having an excess of males in the population.
I'm interested in the female dom/male sub dynamic, and how superficially it can seem like a total reverse of gender roles and maybe even subversive or something.
I'm interested in the way the whole cultural landscape can shift over time. Okay, this will seem like a silly example, but look at the whole discourse around "selling out," a concept people say is irrelevant because there's no more distinction between mainstream and underground, inside and outside (which I don't really believe, but that's another issue).
I've never been particularly interested in genre distinctions. They seem to me more useful to a librarian than to a writer.
English football is changing: the champions don't play a 'typical' English style, for example. But in general, it's quicker than in Spain: more counter-attacks, more open, more direct.
We're not interested to know the real heroes. We're really more interested in the villains, actually, and they seem to thrive, and it continues to be business as usual.
What does seem to be a constant is that I write more emotional stories the older I get. I think a lot of that has to do with growing up in a patriarchal structure where unemotional intellect (male) is taken more seriously than delving into emotions (female), and gradually freeing myself from those expectations.
It's one of the things we find in these congregations is that they are much more likely to be sort of up-beat worship styles, more likely that people in these congregations say "Amen," maybe get up and dance some, tend to be a little bit more lively than a typical white service would be, but not as lively as a typical black service would be.
It's funny; people in Europe seem more interested in decay in America than Americans.
I'm interested in the acting and staging of specific emotions, and so I work with actors. It's a small proportion of what I do, but it's always what people seem to focus on.
I think it's very difficult, and people don't give enough credit to how hard it is to do in-game commentary. I'd have a lot of work to do, but I'd definitely be interested. I'm always interested in breaking down the game, and I'd love to see more females doing it.
Having a Facebook and Twitter profile allows me to keep more in touch with people, particularly young South Africans and those who are part of the online community. I was amazed that anyone might be interested in what I do and who I meet. Now I know what people will be interested in.
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