A Quote by Simon Beaufoy

British audiences are toughest on British films. So often, a British film is the last thing they want to see. If you please them, you really know you've made an impact. — © Simon Beaufoy
British audiences are toughest on British films. So often, a British film is the last thing they want to see. If you please them, you really know you've made an impact.
I know Im British. I havent spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasnt British, what would I be? I am British.
I know I'm British. I haven't spent much time in the U.K., but my parents are British, my family heritage is British, so if I wasn't British, what would I be? I am British.
'Viceroy' is the first British film about the Raj and the transfer of power from Britain to India made by a British Indian director. It is a British film made from an Indian perspective.
Let's turn British inventions into British industries, British factories and British jobs. Let them make pounds for us, not dollars marks or yen for others.
After 'The Gamekeeper' I made one other film called 'Looks and Smiles,' but making British films was very difficult. There wasn't a tradition of British cinema.
I think now you see a lot more British films from the perspective of, I guess what would be considered "new" British people - people of color, Asian people. I think that's what's happening now, whereas 20 years ago it couldn't happen because it was still predominantly, "British film is about middle-class white families and what they do."
If you sit down with British officers or British senior NCOs, they understand the sweep of history. They know the history of British forces not just in Afghanistan but the history of British successful counter-insurgencies - Northern Ireland, Malaysia.
The education I received was a British education, in which British ideas, British culture, British institutions, were automatically assumed to be superior. There was no such thing as African culture.
A lot of the time, the British press make me ashamed and embarrassed to be British. They give others the impression that the British are selfish, envious and bitter people, which is simply not true in my opinion. I think that British people in general are really nice and friendly.
For British cinema to survive, you really need a British film culture, and it's got to start down there, with young kids watching films in the cinema - so they can be transported to a different world.
It wasn't just British gangster films that really did for me as a kid, personally, it was British films in general.
British people are surprised that I'm British! It's extraordinary, I get tweets every day from British people saying, 'I had no idea you were British.'
The problem with the British film industry is that it's really the American film industry, or a small branch of in lots of ways because of the common language. But it's great to see some individual voices still there. I think I probably gravitate towards a slightly more European, auteur model rather than the studio thing. I think it would be great if British films were a little bit more auteur driven.
In the late 1930s, both the British and American movie industries made a succession of films celebrating the decency of the British Empire in order to challenge the threatening tide of Nazism and fascism and also to provide employment for actors from Los Angeles's British colony. The best two were Hollywood's Gunga Din and Britain's The Four Feathers...
I grew up in a very British family who had been transplanted to Canada, and my grandmother's house was filled with English books. I was a very early reader, so I was really brought up being surrounded with piles of British books and British newspapers, British magazines. I developed a really great love of England.
I don't enjoy British shows as a rule because British audiences are strange.
This site uses cookies to ensure you get the best experience. More info...
Got it!