A Quote by Simon Bird
The thing with TV and filming is the timing is all faked anyway. You do it so many times, from so many different angles. You never really do it all in one go anyway, so they just fix it all in the edit.
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In TV, you have no time and sort of just carpet bomb the scene with as many angles as possible as quickly as possible and find it in the edit.
Wayne Wang, the director, really helped me become a more mature actress. When I first started filming, I was really over the top. He just helped bring me down and make me real. That was really wonderful, a really wonderful experience. Also, what I learned about filming is it takes forever. I mean, there are so many different angles and shots. I mean, it just takes forever.
When you're writing - when I'm writing anyway - I'm writing out of different kinds of preoccupations and obsessions, different forms of drivenness, and so you're really hostage those while writing. I am, anyway. And it's only when you finally take the finished thing out of the furnace that you see what it was that went into the making of the thing.
Tennis is a game of angles. You never have time to figure the angles. It's practiced. It's so practiced that it becomes an instinct. You just know where to put the ball. You just feel it. It has been computed into your brain so many times it is there.
I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.
In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.
What was bizarre, when I was younger, I never watched TV. I would rather watch a movie 100 times than to watch a TV show, just to find another nuance. I can't tell you how many times I've watched 'On the Waterfront', just to find a flaw so that I can learn and try to improve my thing.
Everybody's frightened a bit. But how many of us just go through the fear and do it anyway?
If there's anything in life you consider worthwhile achieving - go for it. I was told many times to forget show business - I had nothing going for me. But I pursued it, anyway. Voila!
If you are kind, people may accuse you of selfish, ulterior motives: Be kind anyway. If you are successful you will win some false friends and true enemies: Succeed anyway. If you are honest and frank people will try to cheat you: Be honest anyway. What you spend years building, someone could destroy overnight: Build anyway. If you find serenity and happiness, they may be jealous of you: Be happy anyway. The good you do today, will often be forgotten by tomorrow: Do good anyway. Give the world the best you have, and it may never be enough: Give your best anyway.
On one occasion I got this really bizarre horoscope thing from someone. It was a full-on zodiac reading, charting and intersecting all this stuff. It was over 20 pages long and said we're destined to be together. That was totally bizarre. I don't really believe in that stuff anyway, although I do believe in Karma because it's already bitten me on the ass so many times.
And it was different because I'd already lost her so many times, so many ways, in my head. And different because she was never really mine to lose. And different because this wasn't my fault.
I don't do commentaries on films because A) I'm not very good at it and B) it's an odd thing that I discovered, on my first film, that you go through this really intense experience of making a film and then you sit in a little room with a monitor and you reduce the thing to a bunch of silly anecdotes. It's really unfulfilling and I've never really enjoyed listening to them anyway, so I just don't do them.
[Writing] is edit, edit, edit. It's almost like getting a boat ready to go to sea. You've still got a countless number of things left to fix, but you've just got to go, "O.K., everybody get on the boat. We're going, ready or not."
Exercise is not a thing we do to fix a problem - it is a thing we must do anyway, a thing without which there will always be problems
I don't know if directors go, 'Hey! We've got another suicide-let's call Robin Tunney! It's weird, but they're all different, and I guess it gives the characters some kind of power... At least I play women who are strong enough to take the power into their own hands! And kill themselves! So many women in films just shoot themselves in the head anyway, because they're not really there for any reason.
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