A Quote by Simon Callow
To enter a theatre for a performance is to be inducted into a magical space, to be ushered into the sacred arena of the imagination.
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So many horses get stage fright when they enter the arena, and that's it - the performance is over.
Theatre is a sacred space for actors. You are responsible; you are in the driving-seat.
Look upon paintings with eyes of mystery rather than judgement. Support the need to enter into the sacred space beyond evaluation.
There's something magical about a home run. It almost violates the space of the stadium. It's a game of the imagination in some ways. Baseball.
In the 1960s, various parts of the population became energized and began to enter the public arena to call for the rights of women, students, young people, old people, farmers and workers. What are called "special interests" - meaning the whole population - they began to press to enter the public arena. And they said that puts too much pressure on the state and therefore we have to have more moderation in democracy and they should go back and be quiet and obedient.
If an irreducible distinction between theatre and cinema does exist, it may be this: Theatre is confined to a logical or continuous use of space. Cinemahas access to an alogical or discontinuous use of space.
When we make our art a practice, when we make our workspace sacred and enter it daily with respect and high intention, then we elevate our actions (even if they're taking place within the profane arena of commerce) beyond ego and above gimme-gimme ambition.
At first you might find that nothing happens there. But if you have a sacred space and use it, eventually something will happen. Your sacred space is where you find yourself again and again.
To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.
The noblest lord is ushered in By the practicing physician, And the humblest lout is ushered out By a certified mortician. And in between, they find their foyers Alive with summonses from lawyers.
The Experience of Sacred Space makes possible the founding of the world: where the sacred Manifests itself in space, the real unveils itself, the world comes into existence.
The bandstand is an incredible space. It is really a sacred space. One of the things that is really sacred about it is that you have no opportunity to think about the future, or the past.
And the fear of not being is born in that space. But in meditation, when this is understood, the mind can enter into a dimension of space where action is inaction. We do not know what love is, for in the space made by thought around itself as the me, love is the conflict of the me and the not-me. This conflict, this torture, is not love. Thought is the very denial of love, and it cannot enter into that space where the me is not. In that space is the benediction which man seeks and cannot find. He seeks it within the frontiers of thought, and thought destroys the ecstasy of this benediction.
The first gesture of an architect is to draw a perimeter; in other words, to separate the microclimate from the macro space outside. This in itself is a sacred act. Architecture in itself conveys this idea of limiting space. It's a limit between the finite and the infinite. From this point of view, all architecture is sacred.
In the theater, I've found that, in general, reaction and laughter come easier at an evening performance, when the audience is more inclined to forget its troubles. Matinee customers must enter the theatre in a more matter-of-fact frame of mind, hanging on tightly before they let themselves go.
Being a pop fan is a lot like Catholic devotion - lots of ritual, lots of ceremony... We touch the icon to enter the sacred space, genuflecting to reliquaries and ostentatoria that make something splendid of our most secret desires and agonies.
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