A Quote by Simon Cowell
What I would argue in my defence is that shows like Britain's Got Talent and The X Factor have actually got people more interested in music again and are sending more people into record stores.
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What I would argue in my defence is that shows like 'Britain's Got Talent' and 'The X Factor' have actually got people more interested in music again and are sending more people into record stores.
I think shows like 'Dancing on Ice,' 'X Factor' and 'Britain's Got Talent' make great telly, but I'd never want to be contestant. I'm far too insecure and competitive. Also, working in theatre, you're being judged all the time - and I'd rather not be told I'm awful in front of millions of people!
Part of it is, I think, just to let people know you've got a record out there and that you're still alive requires more work than it used to, because the traditional radio, bug chains of record stores, all of that, that doesn't exist anymore.
Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
When I first got the call to do 'Britain's Got Talent', it was actually Amanda who was one of the first people to reach out to me and suggest we go out for a coffee and have a conversation. And we did, and it was great.
I find more and more, as time goes on, these people I meet, they are starting to become these people I look up to more and more. Like Julianne Moore, also, on Crazy Stupid Love: kids, husband, priorities straight. Or Woody Harrelson's like that. Those are the people I really admire, and that's success to me: being able to balance that life and not buy into it. And do the work that you want to do and makes you happy, because you're lucky enough to do it. But if I never got a role again, I've got this incredible life.
I think right now there's more TV shows than ever. You've got network, you've got cable, you've got Netflix, you've got Hulu, even Amazon is putting out original content. So there's a lot of opportunities to find fans. You don't have to have a huge audience. You can cater to the people that like your stuff. So there is a boom in comedy and television and stand-up too through podcasting and all the different talk shows.
When you see the kids on 'Britain's Got Talent' or 'The X Factor' who just want to be famous at all costs, you just go, 'God, these people just don't know what it is they're asking for.'
More and more, leadership, whether it's profit or nonprofit, is about recruiting and keeping talented people. That's the biggest challenge. Yes, you've got to create systems that will enable people easily to innovate continuously; you've got to be a system-builder. But finding and keeping geeks and shrinks is the biggest challenge. That means leaders have got to be salespeople, they've got to be recruiters, and they've got to be actively able to understand and keep the talent they have. Leadership is courtship. That's what it's becoming.
The key ingredient is talent - you've got to have talent. If you look at the regular season, they've got the best record in the entire league, so they've got the talent.
How about no one's ever going to outsell Michael Jackson at selling records because the record industry is over. Game over. There's no more record stores. With no more record stores there's no more pressing plants. With no more pressing plants, there's no more charts.
My music has always been sort of in between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
My music has always been sort of in-between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
If you make good music, people believe in you, but you have to have your websites poppin', you got to be on these blogs, you got to be at all these types of events. You got to be everywhere, and doing everything, and the more they see and hear you, the more chance you have at success.
If it weren't for Criminal Records, Wax-n-facts and other indie record stores I could have only sold my CD's at my shows and by mail order as an independent artist. The greatest stores that have character and include a much wider range of music of music are all independent, mom and pop stores.
I wish more people would take the extraordinary talent they have and just let their id go because that's what we discovered. We discovered that the sillier we got, the more people believed that we were speaking from our hearts.
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