A Quote by Simon Cowell
I'm a great believer in getting checked out because if you know you're OK, you actually feel better; your mind plays a big part of it.
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For me, I always nurse out in public. It never crossed my mind, because I was taking care of my child, and I was living my life. We need to know as women that that is normal and great and beautiful and OK. And I want to be part of that conversation - not making anyone feel wrong if they don't do it.
You have to keep your eyes wide open and your head high and realize that you are going to be OK. I do this with work and with being a mom - I'm a true believer that it's OK to fail, and that there is power in getting back up on the horse.
I often feel like the woman in your life is your driving force. She's your muse. She plays a big role in determining how confident you feel when you walk out the door. She can add 1,000 kilowatts of energy - or drain that out of you. She said, "No, you're not that funny." I thought, She knows better than anyone.
I'm a big believer in puking out all your thoughts in a single sitting and getting some version of the work down, because the alternative just prolongs the agony. The first draft is hideous and ajskdlkdfksjdfslfjk, but it's just a map for where the big blocks go.
Improv plays such a huge role in finding great lines - you'll be surprised at what comes out of your mind inadvertently. A lot of times it's better than a script you've worked out ahead of time.
It's OK to want to look and feel your best. It's OK to work at being attractive, whatever that means to you. And it's also OK to not expect to be defined by that. It's OK to be powerful in every way: to be big, to take up space. To breathe and thrive.
You run your plays, you know your plays, you study your plays, you study the other team, you do as much as you can, you go to practice, you get in shape, you do what you need to do, and then by the time you get to the game, you know your plays, but they have to feel like they're in your bones. That has to be an unconscious thing, it cannot be conscious. That is everything to me.
No I'm not a great believer in getting back over things and saying if only, or if, or buts because I don't think we actually get anywhere on that.
I'm a big believer in you make your argument to everybody, and you do it in a way that is real and very candid. Even if people don't agree with you, they appreciate that you're telling them what you believe and they know that you care about them. That's I think a very important part of it that sometimes gets missed, is that people will be OK with you saying something they're not totally on-board with as long as they know that you believe it because you want to help them. That means you've got to care about everybody.
Plays, especially great plays, yield their secrets over a long period of time. You can't read it three times and say, 'OK, I got it. I know what's happening.'
It's very important to follow your instincts because, beyond what you know exists or what you're told exists in a given area, your intuition plays a big part in finding something special.
Actually doing a song, going to the studio, and just getting out on paper your anger makes you feel a little better sometimes.
Part of growing up is learning your strengths and weaknesses. What better way to figure out that hand-eye coordination ain't your thing than by getting drilled in the mouth by a red, rubber ball? You only gotta get beaned in the face so many times before you figure out, 'I better hit the books because this is not working out.
A lot of what I've had produced are plays, and I just don't want to do that. It's different than a movie, where you only have to act the scenes the one time, and you have other collaborators helping you make it better, so you don't feel as obsessed with your own mind. Plays you have to do every single night, and the thought of that is agony to me. There are days when you hate your own work, and you don't want to be confronted with that, have it coming out of your mouth or listening to somebody else say it to you. There are days you want to leave the theater and get a drink.
The thing I know how to do most is write a play. I came up loving plays and learning about plays and writing plays. I actually feel like an outsider when I'm writing movies and television.
Such a big part of acting is getting your face out there and getting recognized.
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