A Quote by Simon Critchley
The culture of irony is the culture of postmodernism, which I would furiously want to denounce. We have to act ethically and politically. Irony is a defensive position, against reality. It always knows what to think about reality. The idea of commitment and engagement is central to me, which is not ironic.
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The irony of the media and people in big cities is that they're charged with defining the entire culture, when in reality they don't even live in that culture. They live in such a rarified, tiny world.
I love the irony of movies. I really do. For whatever reason, I'm incredibly intrigued by the irony of reality in a motion picture.
My direction is very anti-contemplative. If you thought I was for commercial products, you'd think there was no irony. The irony isn't meant to be an ironic comment on our society, exactly.
What I want to show in my work is the idea which hides itself behind so-called reality. I am seeking for the bridge which leans from the visible to the invisible through reality. It may sound paradoxical, but it is in fact reality which forms the mystery of our existence.
While a particularly deft sense of irony may be one of the tools of great storytellers, I think it's also true that if irony serves as a retreat from an emotional engagement that you're overly concerned is uncool, that's a failure of nerve.
I don't mock things, which makes me more vulnerable to mockery myself. If you're cynical, you're protected from mockery. But I have to be nice. I don't think I have irony. A sense of humour, yes, but not irony.
I don't like the word ironic. I like the word absurdity, and I don't really understand the word 'irony' too much. The irony comes when you try to verbalize the absurd. When irony happens without words, it's much more exalted.
I used to get so many letters from students about the ending of 'Pro Femina.' So I had a stamp made that said 'irony, irony, irony' to put on a postcard and mail it back.
A people who free themselves from foreign domination will be free culturally only if,
without complexes and without underestimating the importance of positive accretions from
oppressor and other cultures, they return to the upward paths of their own culture, which is
nourished by the living reality of its environment, and which negates both harmful influences
and any kind of subjection to foreign culture. Thus, it may be seen that if imperialist
domination has the vital need to practice cultural oppression, national liberation is necessarily
an act of culture
We live surrounded by a systematic appeal to a dream world which all mature, scientific reality would reject. We, quite literally, advertise our commitment to immaturity, mendacity and profound gullibility. It is as the hallmark of the culture. And it is justified as being economically indispensable.
Nobody gets irony anymore, as we are now living in the post-ironic age. Once George Bush gets a library, our irony is dead.
Reality is above all else a variable, and nobody is qualified to say that he or she knows exactly what it is. As a matter of fact, with a firm enough commitment, you can sometimes create a reality which did not exist before.
A taste for irony has kept more hearts from breaking than a sense of humor, for it takes irony to appreciate the joke which is on oneself.
There's not a lot of room for un-ironic emotion in contemporary culture. I think that irony is an important tool in dealing with the world as we find it. It's a tool of protection, but it can also be a tool of incision to get to some truth. But along the way maybe we've lost some of what I think of as the power of straightforward emotion and earnestness and seriousness.
Irony is the disparity between what you expect will happen, and what does happen. So raining on your wedding day isn't ironic, it's just crappy. It would have been ironic if she had lived in a place like Seattle, and traveled to the desert of Mexico for a wedding and it ended up raining there, but not in Seattle. Alanis always gets the last laugh though. We all sit here, saying her song isn't ironic, but in fact, that's pretty ironic that she wrote a song called Ironic that wasn't really ironic. Those Canadians are pretty crafty.
Both cinematic culture and the culture at large have changed profoundly. We're now in post-cinematic digital culture, and the internet has obviously usurped movies, which are no longer central to our lives, at least not as a collective spectator experience.
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