A Quote by Simon Helberg

I'd say I'm really, really good for a 16-year-old, which is where I peaked. I'm impressive, but not classically trained, not a concert pianist. — © Simon Helberg
I'd say I'm really, really good for a 16-year-old, which is where I peaked. I'm impressive, but not classically trained, not a concert pianist.
I did not want to be the accompanist to an operatic star. But I was at a very high level for a 16-year-old, and I maintained that. So really good, but more impressive than classically trained. So I had to take a crash course in classical technique because I really wanted to get away with playing this character [in Florence Foster Jenkins] without people saying, "That's not really accurate."
I'm a classically trained jazz pianist - I've been playing since I was 3 years old.
I'm formally trained, I don't know what classically trained really means. I've worked with Sanford Meisner. And I've worked at Circle Rep with Marshall W. Mason and Lanford Wilson and some really good people. I was lucky. I had a lot of really good influences.
My mom's a concert pianist, so she started teaching me when I was around seven. When I was eight, I started writing my own songs, and kinda started putting piano and singing together. But I'm trained classically, which is a big influence on me, I think.
The people who raised me musically are my mother, who is a classically trained pianist, and my stepfather.
I've been classically trained in piano since I was little. My father was a pianist, so they started me early.
My inclination, as an old-school, classically trained journalist, is not to go with a story unless I have it hard. It's not good enough to say something based on rumors that were flying around.
I like Stevie Wonder as my favorite non-pianist pianist. I mean, I shouldn't call him a non-pianist, because he's really a great pianist, but he doesn't feature it that much - he uses his keyboards and his piano technique to support his great songs and so forth, but he can really blow.
When I do operas, I'm not really singing very classically. I have a classical background as far as being a pianist and an oboist, but my voice isn't really classical in the operatic sense. But I certainly have a classical sensibility, so I'm comfortable being in that world.
I was trained classically, and that's something that I want to do, but I do want to say that right now it's a good market for female comedians, and I want to explore that right now. I really do want to do dramas and meatier roles, especially film.
I began ear training when I was about six months old. My mother was a concert pianist, and she started all of her children with music before they were a year old. Then she began to see that I had a musical gift...
Now I have the voice of a 16-year-old. I'm looking for a doctor who could give me the body of a 16-year-old.
I can't maintain the body of a 16-year-old anymore. That's just a really boring life to me. You really just cannot do anything fun, ever.
My mum didn't want me to really pursue music in the beginning, but I'm a classically trained guitarist because of her.
Mathematicians - for what they do - are really poorly rewarded. And it's a very competitive field, almost as bad as being a concert pianist.
I loved her music and the fact that she was a classically trained pianist and that her voice was so unique, but what made Nina Simone my hero is that I had never seen anyone in the public eye who looked anything like me at all, ever.
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