A Quote by Simon Helberg

As a piano player, if 10 is concert level, I'd put myself at a 5 or a 6, but in a completely different genre than classical or opera. In terms of classical and opera, playing accompaniment, I'd say I was a 3.
My mother was an opera singer and my grandmother a concert pianist, and they only liked classical music. If I put on a pop record, they would tell me to turn it off, so I only listen to classical.
I have never called myself an opera singer. Other people do, but I always call myself a classical singer. I'd love to do opera, but I'm still too young and I don't want to do it until I'm ready. I realise that when I do that it's going to be... up for discussion, shall we say, so I want to get it right.
I originally wanted to be an opera singer. I studied classical voice at the University of Washington but soon realised I didn't have the instrument or the discipline. The road for opera singers is more difficult than for actors.
My mom was an opera singer. She did all the classical music, and I heard it. I know every opera. I know every classical piece of music.
I became a set designer for opera. I'm a great opera buff, I love classical music, and I needed a time-out.
I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.
Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.
I had classical training but I don't consider myself an opera singer though.
I was always into classical music and opera because I played the piano as I went through school and was very interested in Andrew Lloyd Webber musicals and stuff like that. That changed into heavy metal at around the age of 14 or 13, and I dropped the piano and started to play the guitar.
The performances of my works in the last 10 years are probably equal to all the previous years put together. There are so many venues now and there is a completely new public for opera that's grown up outside of the traditional core opera public.
In fact although I have studied in a Conservatory the classical piano, I do not consider myself a classical pianist.
I had a lot of classical influences. I had classical music and opera and literature, but I also liked sleaze. And putting it together, sleaze and glamour, it just made sense to me.
I was constantly being pushed toward a European ideal of what it means to be a classical or opera singer, let's say in the Renata Tebaldi mode. I reject that.
I'd go over to my grandmother's house, and she'd be playing opera. They loved opera. Not only did they play it on the radio, but they played it on their piano. Everybody learned how to read music and how to play.
I enjoy all forms of music - pop, classical and opera.
I love classical music and often listen to symphonies or opera in the morning.
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