A Quote by Simon Helberg

I'm obviously more known for being on television, and that's where most people see me. — © Simon Helberg
I'm obviously more known for being on television, and that's where most people see me.
My son has been known to throw a book at the television set when he called for me to come play and I was obviously busy in the box. But I'm told that children of television performers grow up thinking that all mommies or daddies work on TV and that it's no big deal.
Television takes you to an altogether different audience and directly to people's living room. On television, I'm being myself, and that's why people relate to me more.
I think I'm known mostly for comedy because most of the work I've done is comedy and that is in turn because most of the work that is offered to me is comedy, so I end up doing more comic roles and therefore being known for them.
I couldn’t be with people and I didn’t want to be alone. Suddenly my perspective whooshed and I was far out in space, watching the world. I could see millions and millions of people, all slotted into their lives; then I could see me—I’d lost my place in the universe. It had closed up and there was nowhere for me to be. I was more lost than I had known it was possible for any human being to be.
People continually ask me, "Why does the media do what it does? Why are they so obviously self-destructive? Why are they so obviously predictable? Why is the media so obviously biased? Do they not see how other people see?" No, they don't. But then again, they don't care, folks.
Obviously, comedy, or art in general, or television, or whatever you want to call it's all subjective. But I do like to know what people are thinking. I don't know how long I'll keep doing that. As it goes on and on, I might become more fearful of it. For the time being, I'm not opposed to reading what people write.
TV showrunners have become known entities to people who watch television in the way that movie directors have been known to filmgoers for a long time. When I started out as a writer and producer in television, I never had the slightest expectation that fame would be part of the job.
People know me from my social media and television appearances and they'd see through me if I wasn't being honest.
Being on Twitter and social media, you obviously get to see a lot more of what people are thinking of you and of your show.
When you watch television, you never see people watching television. We love television because it brings us a world in which television does not exist.
I see myself as life-sized, certainly not a supersized personality, and apparently after 30 years of television, that's what the audience thinks of me as well. I know this because for the first time in my career, I've just seen market research, and the thing I am known for is being authentic.
People that have known me for a while tell me how they see me grown as an artist and as a writer. I think that this comes with continuing writing each day. I try to write as often as I can and explore more while I do it. I feel more comfortable with opening up and telling more of my story to everyone.
Everyone always says to me, 'Why aren't there more people of color on television?' I'm like, 'Why don't you ask a bunch of people who aren't putting people of color on television why there aren't more people of color on television?'
What I crave, and what I want to see on television, is when you see a minority character, not to have it being about them being black or Asian or Latino. If you watch 'Friends,' for example, it's not about a group of people being white. It's about a group of people being friends, you know? You should just let the characters exist.
I think where Playground is heading is deeper into that marriage between stage, film and television, with the increasing number of people in the film business working in television, obviously something that we were very influential in starting and doing at HBO. And I think that that's the focus of where I see the company moving forward, continuing to explore that intersection of all that talent.
The most beautiful people we have known are those who have known defeat, known suffering, known struggle, known loss, and have found their way out of those depths.
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