A Quote by Simon Helberg
I try to act with my whole body and, for better or worse, this is the face that's attached to it.
Related Quotes
I think there is no better training than being onstage because here's the thing: the theater requires you to act with your whole body. I think acting with your whole body gives you a root, and you can build from there.
Transcendence or detachment, leaving the body, pure love, lack of jealousy-that's the vision we are given in our culture, generally, when we think of the highest thing. . . . Another way to look at it is that the aim of the person is not to be detached, but to be more attached-to be attached to working; to be attached to making chairs or something that helps everyone; to be attached to beauty; to be attached to music.
There are worse things in life to be attached to then seven seasons of Hap and Leonard: Mucho Mojo. It's in Atlanta, and we shoot during the fourth quarter of the year, so the weather is great. It's good Christmas money. I'm telling good stories with someone who I admire. Life could be worse. It could be a whole lot worse, at this stage in the game.
I use Simple face wipes and Nivea face cream. For my body any kind of body butter, the more moisturising the better.
I try to clear my mind of everything, I try to think of nothing. I just let my body act, the body can take control and do what it's trained to do.
I think we must fully face the fact that when Christianity does not make a man very much better, it makes him very much worse... Conversion may make of one who was, if no better, no worse than an animal, something like a devil.
I don't want to face the reality of what people want from a female pop star. Everybody always laughs because I feel so much more comfortable with, like, a giant paper bag on my whole body and paint on my face. Sometimes I try really hard to take it all off. But inevitably what's underneath is still not a straight edge. And I don't think it ever will be.
I didn't know that I could act, but my friend told me, 'Before you do directing, maybe you should try acting. It would be better for you. When you know how to act, it would help you be a better director.' So I was like, Oh, maybe, okay, maybe I'll try.
If every person in this room made it a rule that wherever you are, whenever you can, you will try to act a little kinder than is necessary - the world really would be a better place. And if you do this, if you act just a little kinder than is necessary, someone else, somewhere, someday, may recognize in you, in every single one of you, the face of God.
It is better to be cured in the Church than to be cut off from this Body as incurable ... for, as long as the member is still attached to the Body, his cure is not beyond hope, but when he has been cut off, he can neither be treated nor cured.
Andy [Warhol] put on his fey kind of act, but he wanted to be number one and he succeeded. But you never know. Fifty years from now he might not be seen as so important, but the way our whole culture has gone, and the way it continues to go, is his way - for better or for worse.
The condition of women in Islamic societies as a whole is far from desirable. However, we should acknowledge that there are differences. In certain countries, the conditions are much better and in others much worse. For example, the conditions women face even in Egypt differ a whole lot from what their Iranian counterparts deal with. The condition of women in Pakistan is far different from that in Saudi Arabia. This shows that you can have different interpretations of Islam.
Much is being missed because of fear. We are too attached to the body and we go on creating more and more fear because of that attachment. The body is going to die, the body is part of death, the body is death - but you are beyond the body. You are not the body; you are the bodiless. Remember it. Realize it. Awaken yourself to this truth - that you are beyond the body. You are the witness, the seer.
Predictions of the future are never anything but projections of present automatic processes and procedures, that is, of occurrences that are likely to come to pass if men do not act and if nothing unexpected happens; every action, for better or worse, and every accident necessarily destroys the whole pattern in whose frame the prediction moves and where it finds its evidence.
Everybody always laughs because I feel so much more comfortable with, like, a giant paper bag on my whole body and paint on my face. Sometimes I try really hard to take it all off. But inevitably what's underneath is still not a straight edge. And I don't think it ever will be.
By accepting our aging and letting its lessons broaden us internally, we become calmer in the face of the body's inevitable deterioration. Becoming less attached to our outer appearance is so liberating.
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