A Quote by Simon Hobday

The difference between now and when I played during my younger days is my drives are shorter and my short game is longer. — © Simon Hobday
The difference between now and when I played during my younger days is my drives are shorter and my short game is longer.
Just as the difference in height between males is no longer a realistic issue, now that lawsuits have been substituted for hand-to-hand encounters, so the difference in strength between men and women is no longer worth elaboration in cultural institutions.
Interestingly, songs used to be short, then they became longer, and now they're getting shorter.
Much of anyone's game is played (or should be played) in the short six-inch course between the ears.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
... when there is a war the years are longer that is to say the days are longer the months are longer the years are much longer but the weeks are shorter that is what makes a war.
Too many companies these days can't tell the difference between good profits and bad.... By now you're probably wondering how in heaven's name profit, that holy grail of the business enterprise, can ever be bad. Short of outright fraud, isn't one dollar of earnings as good as another? Certainly, accountants can't tell the difference between good and bad profits. They all look the same on an income statement. While bad profits don't show up on the books, they are easy to recognize. They're profits earned at the expense of customer relationships.
Songs used to be short, then they became longer, and now they're getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, you've got a hit.
To me there's no difference between writing YA and adult except that in YA I make the book a little shorter and the protagonists are teens. The difference is in the readers.
Songs used to be short, then they became longer, and now theyre getting shorter. But otherwise, music is about a beat and a message. If the beat gets to the audience, and the message touches them, youve got a hit.
Many people who are going through the early stages of the awakening process are no longer certain what their outer purpose is. What drives the world no longer drives them. Seeing the madness of our civilization so clearly, they feel somewhat alienated from the culture around them. Some feel that they inhabit a no-man's-land between two worlds. They are no longer run by the ego, yet the arising awareness has not yet become fully integrated into their lives. Inner and outer purpose have not merged.
The difference between children and adults is that they're shorter - not dumber.
Developing a full length feature is much longer process than developing a short. With features you're typically dealing with more characters, plot, emotion, story arc, etc. - a short is the same only much... shorter!
Now I know the difference between a rousing reception and a pat on the back. Now I know the difference between a gold in Commonwealth Games and a bronze in Olympics.
Perhaps there is an idea among Japanese students that one general difference between Japanese and Western poetry is that the former cultivates short forms and the latter longer ones, gut this is only in part true.
Sometimes I do work on a longer manuscript in tandem with one or two shorter pieces - whether it's a short story or an essay (though I don't write many of the latter).
I've played at the top level for years now and know it's the small percentages that matter. That's what the difference is between you getting to a major tournament or not.
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