A Quote by Simon Jenkins

The (U.K.) government's thesis that the countryside of upland and coastal Britain is 'worth sacrificing to save the planet' is an insult to science, economics and politics. But the greatest insult is to aesthetics. The trouble is that aesthetics has no way of answering back.
Myths are about the human struggle to deal with the great passages of time and life--birth, death, marriage, the transitions from childhood to adulthood to old age. They meet a need in the psychological or spiritual nature of humans that has absolutely nothing to do with science. To try to turn a myth into a science, or a science into a myth, is an insult to myths, an insult to religion, and an insult to science. In attempting to do this, creationists have missed the significance, meaning, and sublime nature of myths. They took a beautiful story of creation and re-creation and ruined it.
You take insult where none is intended, but if you will find insult where none is meant, then perhaps I should try harder to insult on purpose.
I have long aspired to make our company a noble prototype of industry, penetrating in science, reliable in engineering, creative in aesthetics and wholesomely prosperous in economics.
I describe it ( the new aesthetics) 'radically': I say aesthetics = human being. That is a radical formula. I set the idea of aesthetics directly in the context of human existence, and then I have the whole problem in the hand, them I have not a special problem, I have a "holography" (reacting on a former suggestion of the public as a slight joke, fh) I don't know exactly what a holography is.. (1973
It's time for the aesthetics of upwardly mobile feminist respectability to make room for the aesthetics of survival, particularly trans survival.
I think the biggest insult, the worst way you can offend a Mexican, is to insult their mother. A mother is the most sacred thing in life.
Retribution is tricky. . . . The insult isn't usually worth the risk of punishment. And eventually one learns that karma has a surprising way of taking care of these situations. All you have to do is sit back and watch.
'Noah' is an insult to Bible-believing Christians, an insult to the character of Noah and, most of all, an insult to the God of the Bible. As a result, I believe Hollywood will have a much harder time in marketing future biblically-themed movies to Christians.
After a certain high level of technical skill is achieved science and art tend to coalesce in aesthetics, plasticity, and form. The greatest scientists are artists as well.
Aesthetics does not exist for the camera as an isolated entity. Aesthetics, in fact, is inseparable from the purpose of the photographer and the use he makes of his theme. When photography fails... it is usually because a false separation has been imposed on form and content.
An insult is mean or unkind. Milton Berle called me the Sultan of Insult, and I was called the King of Insult. But the guy that gave me the best title - and I use it to this day - was Johnny Carson. He called me Mr. Warmth.
I've always followed my father's advice: he told me, first to always keep my word and, second, to never insult anybody unintentionally. If I insult you, you can be goddamn sure I intend to. And, third, he told me not to go around looking for trouble.
As a result of reading science fiction when I was eight, I grew up with an interest in music, architecture, city planning, transportation, politics, ethics, aesthetics on any level, art...it's just total! It's a complete commitment to the whole human race on all the Earth. That's what science fiction is about.
I don't think people experiment enough with clothing because society tries to tell them what they can and can't wear. I love playing around with different aesthetics and/or mixing around aesthetics to create a totally new look.
Insult is powerful. Insult begets both rage and humor and often at the same time.
To insult someone we call him 'bestial. For deliberate cruelty and nature, 'human' might be the greater insult.
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