A Quote by Simon Kinberg
Quentin [Tarantino] is a filmmaker who really dives into things very seriously and deeply. And when he does interviews, he really wears his heart on his sleeve and he doesn't hold anything back.
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Harshvardhan Kapoor is very sincere, somebody who wears his heart on his sleeve.
Ennio Morricone is royalty. He doesn't really do this a lot and Quentin brought him back [in Hateful Eight]. Quentin [Tarantino] basically went back and made his The Good, The Bad and The Ugly-kind of film, the ultimate epic spaghetti western, and then you've got mister spaghetti western himself scoring your movie. It's gonna be hard to not vote for him in a landslide. Probably the easiest win of the night.
Mads is such a talented actor - it's almost like he wears his emotions on his sleeve, but not all the time - when he decides that he needs to, he has such access to his emotional life and it is just really incredible. He can do everything with just his eyes.
I can relate to someone whose life is falling apart, and they are doing the best to get by, using humor to survive. Backstrom really wears his heart on his sleeve and his life is unraveling... I would much rather hang out with that person than a slick procedural detective who has all the answers... it's human, it's frail, it's interesting.
I am the kind of guy who wears his heart on his sleeve.
[John Adams's] vividly descriptive prose is supremely quotable. Adams wears his heart on his sleeve and reveals all of his ambitions, doubts, and insecurities, especially in his diary, which is one of the greatest and most readable in all of American literature.
I think there's a little bit of idiot in everybody and I think some people cover it better than others but I think I am very much a guy who wears his heart on his sleeve.
I went and met with Tim Burton for the role of Batman. But I just couldn't really take it seriously; any man who wears his underpants outside his pants just cannot be taken seriously.
Then all of a sudden, Quentin Tarantino comes along and puts a song from 40 years ago in one of his films and they've suddenly discovered you. That was a real gift that Quentin gave me.
Christopher Darden is a very passionate man. He wears his emotion on his sleeve.
They're not gong to give Hateful Eight its credit now, they'll give it its credit later. Hateful Eight was too long. I think we've indulged Quentin [Tarantino] so much with his monologues. Quentin has this very strong cult following around him and his projects, and people are always expecting so much from him.
Quentin's [Tarantino] thing is "I don't want anybody to get up until they have to. So, because he really wants things to come organically. And he may have specific things like "No, this ... I want you to be here so that when he punches you, it falls. I want that action to happen here." But you feel like it does, all the blocking does come from an organic response to the material.
A script arrived, and on the front cover - scrawled really big, as if it were a book report - is 'Django Unchained, written by Quentin Tarantino.' And I thought, 'Well, no art department came up with this; this is Quentin's writing.'
'Before I Ever Met You' was the first one to come out and that just dives into the grit, and it's pretty graphic about a relationship. For my first song, it was very special the way it happened, because I didn't really hold anything back, and people responded to it.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore and I am very squeamish about violence, but Tarantino's violence is actually funny.
I saw Quentin Tarantino's 'Django Unchained,' and you could say a lot of things against it, but it was incredible fun. I don't like blood and gore, and I am very squeamish about violence, but Tarantino's violence is actually funny.
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