A Quote by Simon McBurney

Most of what we say about ourselves is a wonderful piece of storytelling. — © Simon McBurney
Most of what we say about ourselves is a wonderful piece of storytelling.
If we're trying to excite young people about reading, we need to be experiencingbookjoy ourselves so that we have references to make. It's important to be able to say, "You know, I read the most wonderful poem the other day. Let me tell you about it."
It's often lost in most Silicon Valley startups, the importance of storytelling when most people are thinking about they assemble their team and the critical functions that the team needs to be successful. Storytelling is normally not on the list.
He was a wonderful gentleman, elegant, with great humility. All the wonderful things you can say about a person, you have to say about Fred Astaire.
Storytelling is storytelling. You still play by the same narrative rules. The technology is completely different. I don't use one piece of technology that I used when I started directing.
I believe that the Kane/Undertaker story, if you look at epic storytelling like Greek mythology, that is what it is. It is the best piece of epic storytelling that the WWE has ever done.
Storytelling is powerful; film particularly. We can know a lot of things intellectually, but humans really live on storytelling. Primarily with ourselves; we're all stories of our own narrative.
The thing that most critics miss about Faulkner is that his famous storytelling voice is, in fact, a standard Southern storytelling voice that is typical of the Gulf Coast - Mississippi, Alabama and so on.
If you break down most rock songs and look at the lyrics on a piece of paper, it's all about melody. It's all about presentation. And a lot of bands are really great, but you can't understand a word of what they say.
O wonderful, wonderful, and most wonderful wonderful! And yet again wonderful, and after that, out of all hooping.
I love storytelling. If you strip all the bits away, what you'll find at the center is a storyteller. As I warm to my career and love it more, I have a sense that storytelling is healing, in many ways. You can reach an audience and heal, and by heal, I mean entertain and provoke. It's a wonderful life.
Very often, if I know the orchestra doesn't know a piece or it's a new piece, I have main ideas about it. But then we start to play and I never talk about places where they played so beautiful and so clear in the beginning that there is nothing to say.
I think we ripple on into others, just like a stone puts its ripples into a brook. That, for me, too, is a source of comfort. It kind of, in a sense, negates the sense of total oblivion. Some piece of ourselves, not necessarily our consciousness, but some piece of ourselves gets passed on and on and on.
I ask people what piece they are on the chessboard. And some people say 'I'm the king' or 'I'm the knight.' And then they ask me what piece I am, and I say, 'I'm no piece. I take the position of God.'
In terms of collaboration, working on a new piece is always thrilling, as I'm sure most people would say, because the playwright is in the room and the piece itself evolves in response to what is happening in the room.
I guess I would say that most of what I've learned about storytelling derives from novels and short stories. I cannot think of a novel or story, or a novelist or story writer, who thinks in terms of three-act structure.
I come from a little bit of a theatrical background. I started that way. I don't have a tremendous body of work or anything, but I went to drama school. And so, to get to do a piece where the characters get to talk a lot, and that isn't just about the spectacle or the set piece, or is simply visual or movement based. It was really wonderful for me, and juicy and exciting.
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