A Quote by Simon McBurney
I don't recall making a conscious decision to become an actor. I just remember winning a prize at a theatre festival when I was 17 and saying: 'Oh, that's what I have to do.'
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Asim has done English theatre with Naseeruddin Shah and his group, Hindi theatre with Makarand Deshpande, and Marathi theatre with me. He is a hardworking actor - I am not saying this just because he is my son but as an actor and spectator.
You watch Jeff Sessions testifying in front of Congress, Jesus, like watching an amnesiac: "I don't recall," "I don't remember," "I don't recall," "I don't remember," "I don't remember what I don't recall," "I recall what I don't remember." Amazing.
I don't remember sitting down and saying, 'This is why I want to be - an actress.' I just knew. It was never a conscious decision or a revelation.
I don't remember sitting down and saying, 'This is why I want to be--an actress.' I just knew. It was never a conscious decision or a revelation.
It was not a conscious decision to become an actor.
I remember, after graduating high school, I got a part in a play with the Washington Shakespeare Festival - a little part. But I remember thinking this would be a great way of making a living... to be an actor. I never really thought I'd make a lot of money at it.
Stage actors are usually much more conscious of speaking up and making sure that everyone can hear in the back of the theatre; a film actor probably thinks of that a little less.
Acting is a trick word invented in the festival of Dionysus, before Christ, in Greece at a fertility festival. That's where theatre came from: a fertility festival. No women were allowed. All the men played all the parts.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
When somebody is enthusiastic about a job opportunity - but gives off the feeling that this is not the only one they have on the table - they become more seductive in the employer's eyes. You become more desirable because it shows that you're making a conscious and thoughtful decision for the right reasons.
I started acting when I was 13, but it really wasn't my plan. The actual decision to become an actor was when I was 17, after I didn't act for half a year because I came to an exchange student program in the US, and I realized how much I missed it.
I saw Waiting for Godot when I was 17 in rep with a then unknown actor called Peter O'Toole playing Vladimir. I remember leaving the theatre promising myself that one day I would have a go at this play and then pretty much forgot it for 50 years.
I'm aware of what I am, but I focus so much on myself as a musician and as an artist that I don't even notice that I'm the only female on a festival bill. I'm just like "oh I'm playing this festival."I haven't been very deeply involved in this greater outreach because my approach to equality is integration. I'm not into separatism, or an all-female festival. It's good and empowering but it doesn't allow for the bigger picture to get accomplished. We all need to be at the same festival - that's always been my approach.
Winning a Nobel Prize isn't about being clever at all. It's about making... at least in physiology or medicine, it's about making discoveries, and you don't have to be clever to make a discovery, I don't think; it just comes up and punches you on the nose.
Being an actor in TV or movies is different. A film or TV actor, if put in theatre, won't know certain dimensions, while a theatre actor won't know certain things when he comes before the camera. So I think a film actor can learn emoting from this theatre counterpart, while the theatre actor can learn about camera techniques from the film actor.
I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
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