A Quote by Simon McBurney
We feel closer to the drawings on the walls of Chauvet than the painting of, say, an Egyptian mural. These artists are not remote ancestors; they are brothers. They saw like us; they drew like us. We wear essentially the same clothes against the cold.
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In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange.
The principle factor in my success has been an absolute desire to draw constantly. I never decided to be an artist. Simply, I couldn't stop myself from drawing. I drew for my own pleasure. I never wanted to know whether or not someone liked my drawings. I have never kept one of my drawings. I drew on walls, the school blackboard, odd bits of paper, the walls of barns. Today I'm still as fond of drawings as when I was a kid - and that was a long time ago - but, surprising as it may seem, I never thought about the money I would receive for my drawings. I simply drew them.
I don't know any artists or painters, like, "Oh that painting group." I want to write down this idea of a group of artists who treat it like a band. Like, "Who made the painting?" "All four of us did."
. . . The books we need are the kind that act upon us like a misfortune, that make us suffer like the death of someone we love more than ourselves, that make us feel as though we were on the verge of suicide, or lost in a forest remote from all human habitation-a book should serve as an axe for the frozen sea within us.
It might take a while but I think the rap game is the people that can do it. We're all role models more than athletes because athletes don't wear clothes like the kid in the hood and they don't walk and talk like the kids in the hood. We're closer to them than anybody because they can look at us and see them.
Patience serves us against insults precisely as clothes do against the cold. For if you multiply your garments as the cold increases, that cold cannot hurt you; in the same way increase your patience under great offenses, and they cannot hurt your feelings.
I hear there are people who actually enjoy moving. Sounds like a disease to me - they must be unstable. Though it does have it’s poetry, I’ll allow that. When an old dwelling starts looking desolate, a mixture of regret and anxiety comes over us and we feel like we are leaving a safe harbor for the rolling sea. As for the new place, it looks on us with alien eyes, it has nothing to say to us, it is cold.
Except a living man there is nothing more wonderful than a book! A message from the dead - from human souls we never saw, who lived, perhaps, thousands of miles away. And yet these, in those little sheets of paper, speak to us, arouse us, terrify us, comfort us, open their hearts to us as brothers.
I would have conversations with European artists. Meaning, people look at my painting and one person would say, "Oh, your painting is just like so-and-so!" Another person would say, "It's just like so-and-so." But at the end, it's a chain of relay like a marathon. There are so many so-and-so's that eventually it becomes mine. My dialogue was completely European, with the '40s, '50s, '60s artists, but on the exterior side I do big painting. It's post-Pollock. It's current. It's a meeting of the time. The Chinese side just comes out.
If you have one article of clothing that's very expensive, you don't have to have the whole ensemble and look like a Christmas tree. To wear the clothes, to not let them wear you. And to really remember that clothes are beautiful. It's like are you gonna wear something that people say: "Oh that's a great blouse." Or are you gonna wear something that people say: "Oh you look great today.." .
We are like the watermelons. Each of us has a crusty external rind. A case that both protects us and keeps others out. The closer you get to the middle, that is to say - the closer you get to the heart - the sweeter we get.
You know how you always expect someone to think the same as you and then your like, really shocked when they don't? Like when it's a cold day and you turn to the person next to you and say, 'Its so cold, aren't you cold?' and then they say 'no.' It's kinda like, 'what, are you a communist?'
You said that you wanted to put us upon a reservation, to build us houses and make us medicine lodges. I was born where there were no enclosures and everything drew a free breath. I want to die there and not within walls.
We are like dogs, cats, cows, rats ... What separates us from them and from the remaining matches against mammals is negligible. To have the same diseases. Rats spread plague like us, but we are just as contagious as them. And the dogs get diabetes, like we do, and get cancer, like us. And age, like us. And die, like us. Why then the biblical claim that man is the king of creation? Perhaps because only man has developed spoken language, the words, wherein lies its prodigious ability to lie.
The artists could be dead, but some of them are not so distant from us, and make us feel as if they are alive with us. Such artists are worth calling "contemporary artists".
Patience serves as a protection against wrongs as clothes do against cold. For if you put on more clothes as the cold increases, it will have no power to hurt you. So in like manner you must grow in patience when you meet with great wrongs, and they will then be powerless to vex your mind.
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