A Quote by Simon McBurney

I suppose I'm really interested in theatre that provides an intensity of experience on another level. — © Simon McBurney
I suppose I'm really interested in theatre that provides an intensity of experience on another level.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
Games bring another level out in you. There is no way you can train to the same intensity when you are playing a game. It is just impossible. Your head won't allow you to do it. Because the adrenalin of a game and the importance of it steps it up to another level.
To experience poetry is to see over and above reality. It is to discover that which is beyond the physical, to experience another life and another level of feeling. It is to wonder about the world, to understand the nature of people and, most importantly, to be shared with another, old or young, known or unknown.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
I think we at the faculty level have to model this behavior of having people that really truly disagree with one another be able to discuss those beliefs with one another at the level of discussion and argument and not at the level of, you know, personal attack so that our students can learn how to do that, too.
If you love theatre, do theatre wherever you can, because theatre is theatre, and you can experience it anywhere.
I used to do theatre in school and college. When I started working on television, only the camera was new. Theatre experience really helps one lose inhibitions.
Theatre, when it is at its best, takes a lot of beating - the live experience and the shared collective experience of live storytelling is really special when it is good. Particularly here in New York because the audiences are amazing, very vocal and very engaged, and that makes theatre very exciting.
I was very interested in theatre, so my first love of fashion comes from costume, and I think that's pretty clear within my work and the level of theatricality.
I was attracted to climbing mountains because of the physical dangers, but also the challenges, like 'mental fortitude, physical fortitude, judgement.' It's the intensity of the experience, at a sustained level. The experience is incredibly intense because it is so dangerous.
I've always been interested in rootedness - mainly, I suppose, because I had very little experience of it.
With virtual reality, I'm not interested in the novelty factor. I'm interested in the foundations for a medium that could be more powerful than cinema, than theatre, than literature, than any other medium we've had before to connect one human being to another.
What we ask of music, first and last, is that it communicate experience - experience of all kinds, vital and profound at its greatest, amusing or entertaining at another level.
I suppose what's so amazing about working at the National Theatre is that, because it's a subsidized theatre, you're not trying to create a product that's going to have a mass market in order to make the money back.
My parents say it all began with my role of Percy the Polar Bear back in nursery school! I began dance classes at the age of five (you would never guess though) and then I went on to join my local theatre group, Glantawe Players, at the age of eight and then Swansea Amateur Dramatics Society. I then joined the National Youth Music Theatre, so I really can't remember a time when I wasn't interested in Musical Theatre!
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