A Quote by Simon Mignolet

I don't want to be a number two, that's clear. I want to play. — © Simon Mignolet
I don't want to be a number two, that's clear. I want to play.

Quote Topics

If you want to invest in us, we believe customer number one, employee number two, shareholder number three. If they don't want to buy that, that's fine. If they regret, they can sell us.
What we realize is number one, people want to know what the Bible says. In their heart, they want to know the Bible but it is just hard to understand the big picture of it. And number two, they want to know where they plug in.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
My work is play. And I play when I design. I even looked it up in the dictionary, to make sure that I actually do that, and the definition of “play,” number one, was “engaging in a childlike activity or endeavor,” and number two was “gambling.” And I realize I do both when I’m designing.
You don't want to get beat, number one, and you hate getting shutout, number two, and even worse, no hits.
Perception number one, how you want people to think about you when you arrive and perception number two, how you want them to talk about you once you have left.
When you play the game, you want your mind clear. You want to be able to focus inwards without a care in the world for anything outside.
I want to expand the question of when something is done. I want to vex the ending. I want to mess around with that. I like the idea that if you make a work that has no clear ending, then you must play with the ending. Because if you don't, you're not highlighting the weird, lovely openness of abstraction.
I train for two reasons. Number one, I love working out, and number two, I want to win. You can't win if you don't train to the best of your ability.
You don't want to play in League One and League Two pitches - you want to play on a massive pitch in the Olympic Stadium with beautiful grass.
When 'The Lighthouse,' bizarrely, became the film that people wanted to greenlight, it was really clear that those were the only two people to play the roles. And I knew that they would want to do it.
I want to be a great player. I don't want to play for the money. I don't want to play for fame. I'd just as soon no one knew who I was. I want to play football because it's football.
That would be something I would stress the most to any artist - is, number one, don't ever allow, you know, success or whatever you want to call it to determine your worth as an artist or as a person. That's number one. And number two, do it because you love it.
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
If you want to really sort of quantify the dereliction of the Republican establishment, those two facts are the most important two facts. One, that they didn`t even understand the base of their own party, white working class voters who you know what, don`t care about tax cuts for the rich, really aren`t interested in the things that the elite part of their party want, including immigration reform. And number two, they spent eight months avoiding finding opposition research to use against the guy who was becoming the front-runner in their party that they don`t want.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
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