A Quote by Simon Pegg
It's why I get miffed at all the dashing around in recent zombie films. It completely misses the point; transforms the threat to a straightforward physical danger from the zombies themselves, rather than our own inability to avoid them and these films are about us, not them. There's far more meat on the bones of the latter, far more juicy interpretation to get our teeth into. The first zombie is by comparison thin and one dimensional and ironically, it is down to all the exercise.
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They're [zombies] us, you can also have the wrestler zombie, the clown zombie, the Jay Leno zombie and the nun zombie. I've never seen the clown werewolf or vampire. But because zombies are us, at the lowest possible level, they're a lot more versatile for storytelling.
Zombie purists don't even call our zombies zombies, because to be a zombie you have to be undead. That's something zombie purists can fight about for years and years to come.
We can have our own choices in sex partners, but you cannot avoid birth and death. It's the content of all religion and art. We familiarize them and if we're more honest, we'd be far more relaxed about them.
To be honest, my friends weren't really as into making films as I was. But I convinced them all to make some zombie films with me.
It is an old, old adage that if you want someone to do something, get them to believe it is their idea. Humanity is mind controlled and onlyslightly more conscious than your average zombie. Far fetched? No, no. I define mind control as the manipulation of someone's mind so that they think, and therefor act, the way you want them to.
There was something about clowns that was worse than zombies. (Or maybe something that was the same. When you see a zombie, you want to laugh at first. When you see a clown, most people get a little nervous. There's the pallor and the cakey mortician-style makeup, the shuffling and the untidy hair. But clowns were probably malicious, and they moved fast on those little bicycles and in those little crammed cars. Zombies weren't much of anything. They didn't carry musical instruments and they didn't care whether or not you laughed at them. You always knew what zombies wanted.)
I'm obsessed with zombies. I like watching zombie movies and I read zombie books.
It is abundantly evident that, however natural it may be for us to feel sorrow at the death of our relatives, that sorrow is an error and an evil, and we ought to overcome it. There is no need to sorrow for them, for they have passed into a far wider and happier life. If we sorrow for our own fancied separation from them, we are in the first place weeping over an illusion, for in truth they are not separated from us; and secondly, we are acting selfishly, because we are thinking more of our own apparent loss than of their great and real gain.
I love doing short films because they're much more intimate and there's far less waiting around than on the bigger films.
I love zombie films like Danny Boyle's '28 Days Later' - I thought it was so brilliantly done and so grounded in reality. I was definitely thrust into the zombie world watching that film.
The more people share woodland, absorb it and regard it as part of their personal heritage and culture, the richer our society will be. The more people can work in woods and use them practically rather than go through the motions as a kind of ersatz exercise, the more they will care for the places themselves rather than the political idea of them.
There is something about the sameness people like. And what I've tried to do with all the zombie films is purposely make them different. That may be part of why it takes so long for people to see what it's intended to be.
I often find in the film world, that it's very self-referring. If you talk to someone about films, they talk about them in terms of other films - rather than as something that happened to them in their life. And I'm really keen to get back to film as a reference to real things, not necessarily to other films.
In zombie horror, the juxtaposition of the calm world of the living and the menace of the undead inspires terror. In zombie comedy, like 'Pride and Prejudice and Zombies,' it is played for laughs.
World War Z was a great zombie film because those were zombie performances. It wasn't just a bunch of people walking around slow. They did close-ups on zombies who were performing, as a mindless dead thing. They were creepy and scary.
We should get young people to be more concerned about our debt and point out to them that promising them more all the time is a completely unsustainable way of being and that it's a lie to say that the top one percent are going to pay for it.
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